Matt McGlynn over at the informative Recording Hacks site has a section devoted to Tape Op mic reviews. Not all of them are up yet, and we're not quite sure why he wanted to tackle this project (crazy? smart? nice guy?) but it's up there. Now I can read some of my old reviews and cringe.
Tape Op is a bi-monthly magazine devoted to the art of record making.
For those that couldn't make it, we'd like to report that the Tape Op Party held during SXSW at the Beauty Bar on March 19th, 2010 was a freaking blast. We had a wonderful set by the band Quasi, DJ sets by Ian McLagan, Rebecca Gates, Richard Barone...
Below is a Guest Post from Jim Janik:
Album Credits Are Just As Important As the Money We Make (maybe more so)
by: Jim Janik
Have you ever googled yourself? I have. In fact, I have to. Like many freelancers in the music industry, it's just one of...
I dropped by Powell’s City of Books last night to say hello to Daniel Levitin and hear him talk about his new book, I Heard There Was a Secret Chord: Music as Medicine. I interviewed him in Tape Op #74 way back in 2009. There’s a lot of...
Millennia Media Audio Repair Technician job opening
Audio Repair Technician needed for permanent, full-time position.
Must have analog and digital repair experience. Design engineering chops a plus.
Millennia in Northern California, near...
Eric Liljestrand remembers his friend and working partner Hal Willner
Hal and I spent countless hours, days, weeks, months in dark rooms all over creating some of the most original albums and film scores the world will ever hear. A solid third of...
Joe McGinty has Carousel Studio in New York. Here his pal Amy Hobby gathered 20 young ladies to knock out a great version of Mike Oldfield's "Tubular Bells" on film featuring Joe's INSAME collection of vintage keyboards. This film is the best...