https://loop.ableton.com/2020/register/
https://tapeop.com/blog/2019/09/17/abletons-loop-2018-summit-music-makers/
Excellent mini-documnetary The Psychology of Analogue, featuring Julie McLarnon. Definetly worth 30 minutes of your time!
AES Chicago Section June 2011 Meeting Notice Please forward this notice to interested friends and colleagues. Members and nonmembers are welcome. Not a member of the AES? For information about joining. The next meeting of the Chicago Section...
I've interviewed and enjoyed Alan Parsons' company a number of times over the years, and a while back he even cornered me at an AES conference and videotaped a quick interview about Tape Op. He claimed to be putting together a video about recording....
Wade Baynham of The Second Story studio in Durham, NC, posted a nice piece about Ethan's End Rant in issue #88.
(text from the Scotty Hard Trust website): Scott Harding is a highly accomplished New York City based music producer, engineer, and performer. Over the course of 20+ years, his rich and varied career has taken him to Africa, Europe, North America...
We interviewed Jim Keller of Sondhus in issue #142. Sondhus (SAHN - duss) is an architectural acoustics design and build firm specializing in recording studios. They have designed and built studios for the likes of Depeche Mode, Apple, Heba Kadry,...
Like any war, the loudness wars are a total mess brought on by territorial tendencies amongst those who fear losing their place in the world. And like a real war, the loudness wars cause people to throw rational thought out the window and replace it...
The worldwide COVID-19 situation is affecting us all at this moment. Years ago I was a gigging musician and restaurant worker, and I feel I essentially still live a gig economy life - depending on Tape Op and studio bookings for personal income....
I received several CDs recently, notably the Monsters of Folk (Jim James, M. Ward, Conor Oberst and Mike Mogis) and Porcupine Tree's The Incident, that I really wanted to listen to but was unable to hear. Why? Because these promo discs were...
