Ivan Anderson reviewed the Red Panda BitMap 2 pedal in the latest issue of Tape Op, but he also makes great and highly entertaining videos for many of his reviews. Enjoy!
Check this joint out. Wow! Thanks to Alex Maiolo for the link!
In a fascinating and really open Facebook debate initiated by fellow producer, cycling enthuiasist, and coffee-drinking pal, Eric Ambel (www.ericambel.com), I was alerted to what was finally a clear insight into how and why Spotify could possibly...
Rochester, NY’s The Chesterfield Kings have been leading their own garage rock revival since the late ‘70s. The new LP, We're Still All The Same, was recorded at Fab Gear Studios in Rochester, NY, and produced by Ed Stasium (Tape Op...
Tape Op contributor and studio owner/engineer/producer Mike Caffrey recently sent me some thoughts he had about visitors to the studio during sessions. See issue 73’s upcoming end rant for the origins of this piece. -LC I always tell...
Vinnie Castaldo was in the new issue of Tape Op. Check out his reviews of his two fave educational DVDs. -LC Trust Your Ears: The Drum Tech Explorations of Jeff Ocheltree If you’re like me, always getting stuck tuning drums before a session,...
Bay Area native Scott Hansen, a.k.a. Tycho (Tape Op #123), has just released his sixth album, Infinite Health on Mom+Pop Records/Ninja Tune. Fans familiar with Tycho will hear Infinite Health as a logical progression in a sequence of...
I've pulled together a collection of recent thoughts I've had about the recording process. You can agree or not agree. The important thing is to use your ears, mind, and creativity to make great recordings. Recording equipment...
Our compatriots over at Australia's fine Audio Technology magazine posted this video of a visit to Behringer City. See Video Here. It's a curious visit and Chris Holder offers some good insight into this man and his company. Thanks to Steven...
Garret Haines wrote a thorough review of this UAD plug-in in Tape Op #106. You should read it. Here are a few of Geoff Stanfield’s thoughts on a plug-in that he has come to use and love, not only for its sonic closeness to the original, but...
