We interviewed Meridian Brothers mastermind Eblis Álvarez for Tape Op issue #158, and they have just released their new album, Mi Latinoamérica Sufre, featuring singles and videos "Sé Que Estoy Cambiando" and "Mandala".
Brian Charles and his friends at Zippah Studios are recording in the style of past hits, and then detailing how they did it. It's a weekly series. The latest post, in which they take an original song by Aaron Perrino (The Sheila Divine, Dear Leader)...
I just got an email from a company telling me that I need to buy the new version of a product of theirs - I already own the one that came out several years ago. I guess the $3000 I invested in their hardware wasn't enough, and now I need to buy a new...
Enjoy a light-hearted animated romp courtesy of xtranormal.com's wonderful service. This is a real comment posted to our blog here. Sure is nice to feel the love.
Arooj Aftab's Night Reign
Arooj Aftab is a four time Grammy-nominated artist we featured in Tape Op issue #157. With Pakistani roots, she sings in Urdu and English, and became one of my favorite vocalists the moment I saw her performing on a live...
Vintage King recently celebrated their 30 year anniversary. Like most things, there is a story behind what has now become a fantastic retailer of both vintage and modern recording equipment. I caught up with founder Michael Nehra on a Zoom call and...
So you just drop a microphone to the bottom of an 800ft hole in the earth? Damian Wagner (issue 64) checks in with Tape Op.
"I've just returned from a two week audio expedition to Brazil. I was in Brazil to test nine microphones, cables, speakers...
Seems like it's Sylvia Massy week over here at Tape Op! Here is another cool session trailer from Mix With The Masters where Sylvia records the Melvins!
Speaking of the art world, reader Halsey Burgund sent a link to his installation that “involves some unconventional recording techniques, mainly doing it wirelessly and using lots of open-source and customized software.” Looks like fun...
It wasn’t that long ago that when you went into the studio you basically disappeared from the rest of the world into a place with few (or no) windows, and low light. Where time seemed to have a way of getting distorted, finding yourself rolling...