What? Huh? That's right, now you can "use classic studio gear online." This guy Fredrik created some way to remotely set compressors and equalizers and then pass your audio through them. Pretty genius and probably the wave of the future for certain items. Let's hope he buys a Fairchild limiter next!
Cedric Burnside performs "Love Her 'Til I Die" for the OneMic Series!
Take a look/listen to the new video and single "Didn’t" (feat. Cavetown) from Sarah Tudzin, aka illuminati hotties, from their upcoming LP, Power. Sadie Dupuis of Speedy Ortiz and Sad13, interviewed Sarah for Tape Op #145 and you can...
Remember Nino from issue #67? His new Bird and Egg Recording Studio is hosting "an open house of sorts. On Sunday, October 18th between the hours of 2pm and 6pm Bird and Egg will be open for you to see and feel. There will be wine and hors d'ouvres...
One of the local Portland weeklies did a blurb on me and the Tape Op book for the reading tonight. Mercury
We interviewed John Cale in issue #156 around the time of his previous release, Mercy. He has just released POPtical Illusion, a collection of synth and keyboard heavy tunes that carry a heavy, and at times angry message about the state of the...
Producers & Engineers Wing Shop Talk Thursday, July 26, 2012 6:00pm until 9:00pm The Recording Academy Pacific Northwest Chapter Presents: Join Recording Academy members, music professionals, and Jackpot! Studio owner Larry Crane to...
Hello Friends of Tape Op! We have some fantasic gear giveaways happening right now. Who doesn't need a bundle of excellent plug-ins or a new interface? Eventide Elevate Mastering Plug-in BundleArturia Studio and Plug-Ins
We interviewed Loma in Tape Op issue #148 and spoke with members Dan Duszynski, Emily Cross, and Jonathan Meiburg about their recording process. Emily also did the cover art for that issue, and Jonathan is also a member of Shearwater and a Tape...
On November 9-11, 2018, Ableton held their Loop 2018 conference in Hollywood, CA. Thom Monahan and I both went to check it out. Here’s some of what we experienced, starting with Thom. -JB It’s hard to imagine a music software company...
