Woodland is the name of Gillian Welch and David Rawling’s studio in Nashville, and it’s also the name of their new album. On Woodland, the duo continue to show their deep connection as collaborators. The album has a wide open sound that features their seemlessly blended and intimately recorded vocals, and the light touch of a backing band that includes drums, bass, pedal steel, banjo, and airy strings on tunes like "What We Had" and "Hashtag". "Lawman" and "The Bells and the Birds" have a lovely somberness, and the album as a whole has a "live off the floor" feeling to it that we hear less and less of these days. Woodland will stay in our "recently played" column for the forseeable future.
We interviewed Gillian and Dave back in 2001 for Tape Op #85.
Tape Op is a bi-monthly magazine devoted to the art of record making.
For those that couldn't make it, we'd like to report that the Tape Op Party held during SXSW at the Beauty Bar on March 19th, 2010 was a freaking blast. We had a wonderful set by the band Quasi, DJ sets by Ian McLagan, Rebecca Gates, Richard Barone...
An Osees album with no guitars??? Yes, you heard that right, but fans of the band need not worry! SORCS 80 has all of the experimental punk rock attitude and delivery the band is known for, only on this album it's framed by heavy synths, bass,...
Video Release: James Supercave "Burn"
What follows may be one of the best answers to the "So, how'd you guys meet?" question we have ever heard. Producer, engineer, and oft-recorded bassist (Black Keys, Ryan Adams, Norah Jones) Gus Seyffert was...
When I graduated from college, I dove headlong into restaurant work in order to survive. I had a degree in Visual Communications and a minor in Art from an un- prestigious college, but near the end of my studies I'd begun playing bass in a band...
by Larry Crane
In 1996 my life changed. A few years earlier, I had been in a busy band (Vomit Launch, a precursor to what became indie rock) putting out albums and touring for almost eight years. In late 1992 we called it quits. I’d moved...
My pal just sent me this awesome piece written by a screenwriter about people asking him to read their scripts. And yes, I think anyone who works in whatever given field can understand this. Damned if you do, and an asshole if you don't. And of...
Hard to believe that 2022 is already coming to a close. As was true in 2021, it was obvious that as the world was on lock down, artists were busy using their time to be creative and the result was an incredible amount of fantastic releases across...
You know those ads? Yeah, some Photoshop jockey took the GUI of a plug-in and made it look like a piece of outboard gear, a synth or something. Drives me nuts. For years I couldn't figure out if one plug-in, I think it was Trilogy, was "real" or...
Tape Op contributor Allen Farmelo sent us this thoughtful piece on why the mag doesn't feature many "negative" reviews. Makes sense to me. I imagine anyone out there wanting us to write reviews ripping apart gear all the time still might come up...