I just got an email from a company telling me that I need to buy the new version of a product of theirs - I already own the one that came out several years ago. I guess the $3000 I invested in their hardware wasn't enough, and now I need to buy a new one? It's as if they admit that the original wasn't that great. Seems sorta odd. Thoughts?
Tape Op is a bi-monthly magazine devoted to the art of record making.
With the release of Lawrence "Larry" Crane's Craniostomy Vol. Two, Tape Op's founder gives us a glimpse into his home recordings from 1983 to 1985. Cassette decks and odds and ends were harnessed into making these tracks, and revisiting them in...
Caro Snatch did this interesting online interview with Robert Henke from Monolake on her site. An interesting note is that he created this album, Silence, "without any compression." Well, yeah, uh, if you work in the box and want to draw/automate...
by John Baccigaluppi
The music industry trade shows, and the NAMM Show in particular, have always been a mixed bag for me. Every year, for the last 20 years or so, Larry and I, along with Geoff, Scott, and Marsha (We miss you Andy, Dave, and Laura!)...
So, Fort George Brewery & Public House in Astoria, OR, made an actual Tape Op-branded craft beer. It's called Overdub IPA, and it looks like this:
Here is what Fort George had to say about their creation:
A good beer is like a good sound...
I just read an excellent new essay called The Case Against Free in which the author suggests that the "free economy" is drying up the economic resources needed to make quality creative works. The article focuses on recordings. It's a well...
In a fascinating and really open Facebook debate initiated by fellow producer, cycling enthuiasist, and coffee-drinking pal, Eric Ambel (www.ericambel.com), I was alerted to what was finally a clear insight into how and why Spotify could possibly...
Garret Haines wrote a thorough review of this UAD plug-in in Tape Op #106. You should read it. Here are a few of Geoff Stanfield’s thoughts on a plug-in that he has come to use and love, not only for its sonic closeness to the original, but...