I couldn't have said it better myself. In fact, I say this all the time. Drop by Jim Powers' Music Shrink website and read his articulate post on the subject.
Larry Crane and Geoff Stanfield discuss mixing analog vs. in the box vs. a hybrid approach in the latest episode of Creative Recording With Tape Op! This episode is made possible with support from our friends at BURL Audio.
I thought I'd seen it all until I heard about collectors that pass around bootlegged copies of the test tones and bias pads from all genres of artists and albums. From an article in MOJO this month: "Sorting their collections by "tones at head" or...
A few months back while on a call with Tape Op publisher John Baccigaluppi, he mentioned that he was working on an album project where the majority of the sounds were generated by his cat Raspy. That is not to say that Raspy actually sat down...
In line with Andy Hong's list of gear (issue #66) he's reviewed in the past that he still finds amazing, here's a list of stuff I was using this last month that I think deserves special credit for the amount of times I fall back on these pieces and...
Bay Area native Scott Hansen, a.k.a. Tycho (Tape Op #123), has just released his sixth album, Infinite Health on Mom+Pop Records/Ninja Tune. Fans familiar with Tycho will hear Infinite Health as a logical progression in a sequence of...
Our pal, Howard Massey, has a new book out, Behind The Glass Volume II. Volume I was a real treat, and Howard also co-wrote Geoff Emerick's excellent Here, There and Everywhere: My Life Recording the Music of the Beatles. There's a ridiculous amount...
Our pal Ronan Chris Murphy does this cool "TV" show on his site, http://ronansrecordingshow.com, and the most recent one is with me and John Baccigaluppi where we talk about Tape Op Magazine. I think it's a good insight into how the mag works and who...
The Smart Studios Story Wendy Schneider, director At this point, Butch Vig [Tape Op #11] and Smart Studios are the stuff of legend. From the album that destroyed music’s status quo (Nirvana’s Nevermind), to Smashing Pumpkin's Gish...
