So you just drop a microphone to the bottom of an 800ft hole in the earth? Damian Wagner (issue 64) checks in with Tape Op. "I've just returned from a two week audio expedition to Brazil. I was in Brazil to test nine microphones, cables, speakers...
It's always a good day when I discover that there is new music from Panda Bear. It hits all the marks for me; nods to the classics, modern concepts, sounds and presentations, and exceptional vocals and vocal harmonies. Panda Bear's (aka Noah...
John Caroll Kirby - Septet It is a great time for music and recording. The pandemic drove many artists into their bedrooms and living spaces to make recordings and others figured out ways to get into studios safely. I get a load of new...
A few months back while on a call with Tape Op publisher John Baccigaluppi, he mentioned that he was working on an album project where the majority of the sounds were generated by his cat Raspy. That is not to say that Raspy actually sat down...
This is a fascinating article about a brand new study in human auditory perception that is showing that there have been "naive" applications of mathematical formulas onto our understanding of human auditory perception. I cannot claim to...
Ace Hotel has long been a favorite among artist/studio types, so when we heard the news that they were going to beginoffering quality recording gear as a literal hotel service, it made sense. Featured behind their tailored front desk you'll find...
For those that couldn't make it, we'd like to report that the Tape Op Party held during SXSW at the Beauty Bar on March 19th, 2010 was a freaking blast. We had a wonderful set by the band Quasi, DJ sets by Ian McLagan, Rebecca Gates, Richard Barone...
Here's a clip of a rare Rolling Stone interview with the Lizard King talking about making records around 2 1/2 minutes in. “I could never produce ... because I don’t have the patience for it. I think that’s the main thing. Who's...
"...from what I have seen, the industry is fatally flawed. Everyone seems to want something for nothing and few are willing to pay for what something is actually worth. Plus, there are thousands of graduates flooding recording studios each year...
