Woodland is the name of Gillian Welch and David Rawling’s studio in Nashville, and it’s also the name of their new album. On Woodland, the duo continue to show their deep connection as collaborators. The album has a wide open sound that features their seemlessly blended and intimately recorded vocals, and the light touch of a backing band that includes drums, bass, pedal steel, banjo, and airy strings on tunes like "What We Had" and "Hashtag". "Lawman" and "The Bells and the Birds" have a lovely somberness, and the album as a whole has a "live off the floor" feeling to it that we hear less and less of these days. Woodland will stay in our "recently played" column for the forseeable future.
We interviewed Gillian and Dave back in 2001 for Tape Op #85.
Tape Op is a bi-monthly magazine devoted to the art of record making.
Check out the new video and single "Honeycrash" from SASAMI (#157). Produced by Jennifer Decilveo, who is interviewed in our May issue.
Listen to "Honeycrash"
Check out our interviews with SASAMI and Jennifer here:
SASAMI Tape...
After 20 years at the Davis Square location (and a previous 15 years on Albany Street), Boston’s Q Division Studios had to close its doors in July of 2021. Through the years, Q Division was host to a diverse group of artists, including Aimee...
Garret Haines wrote a thorough review of this UAD plug-in in Tape Op #106. You should read it. Here are a few of Geoff Stanfield’s thoughts on a plug-in that he has come to use and love, not only for its sonic closeness to the original, but...
A pal who deals in pro audio recording gear (some good shit) sent an email our way complaining about people recording with cheap gear at home and the inevitable loss that this presents to the pro audio industry. My response:
XXX,
Look on the Tape...
Some Tape Op readers started this site/podcast some time back. More home recorded music. -LC
"creot radio is produced by an international collective of independent artists. shows are recorded by individual hosts and are intended to reflect the...
That’s right, somehow a lowly engineer and magazine editor that can’t even type has been asked to read some excerpts from Tape Op: The Book About Creative Music Recording Vol. II and moderate a panel at world-renowned literary event,...