Gear Reviews

Monitoring

Mackie: MR5 active monitors

reviewed by Andy Hong

The first time I connected these tiny speakers to my console's outputs, I couldn't believe the size of the sound I was hearing. After playing through a few more songs, I had to walk out of the control...

PreSonus: HP60 headphone amp

reviewed by

The PreSonus HP60 solves two of the most common home- studio problems by providing individual headphone mixes for up to six people as well as a convenient talkback system. There are two main stereo...

KRK: Expose E8B active monitor

reviewed by Jeff Elbel

I've been using a pair of KRK 7000B speakers, driven by a Bryston 3B-ST power amp, as my nearfield monitors for a dozen years. I trust them and know them inside-out, but after working with higher-end...

Aphex: Headpod 454

reviewed by John Baccigaluppi

We have a small B-Room here at The Hangar with a Digi 002 and a Rolls HA43 4-channel headphone amp. So when Aphex asked if we'd be interested in reviewing their HeadPod unit, I said sure, I can do...

M-Audio: EX66 monitors

reviewed by Dana Gumbiner

Here's a pair of excellent nearfields from M-Audio. The EX66 is an MTM, or midrange-tweeter-midrange active monitor, with a 1" titanium driver centered between two 6" midrange/bass drivers....

ATC: SCM20SL monitors

reviewed by Craig Schumacher

Quick question... What is the most important piece of equipment in your studio? The obvious answer is you and your ears. Back in the day, the quality of the monitoring is what separated good rooms...

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