Neunaber Audio: Wet Reverberator Plug-In
reviewed by Garrett Haines
Neunaber Audio (pronounced “new neighbor”) is an Orange County, California, company best known for its effects pedals. However, it’s no ordinary pedal boutique. Founder Brian...
Neunaber Audio (pronounced “new neighbor”) is an Orange County, California, company best known for its effects pedals. However, it’s no ordinary pedal boutique. Founder Brian...
Overloud Audio Tools’ DOPAMINE is a recreation of the renown Dolby 361 A-Type noise reduction module, and the slightly lesser known, but still well-loved TEAC AN-180 (which utilized Dolby B-Type...
Bounce Factory is an application that automatically bounces mixes and stems, using the SoundFlow [Tape Op #149] platform. It was created by mixing guru Andrew Scheps [#133] as a way for him to save...
Sound Particles is a software company based in Portugal, and is most known for the immersive audio software aptly named Sound Particles 2. Their new plug-in, Density, creates multiple sounds based on...
In the early years of third-party plug-ins, Poland’s PSP Audioware released the PSP VintageWarmer [Tape Op #29]. Although other saturation titles existed, PSP VintageWarmer was widely praised as...
STL Tones is best known for their guitar amp modeling software, AmpHub, ToneHub, Tonality, and Libra, which bring signature amp models, pedals, and cabinets, to user’s fingertips. In addition,...
With the introduction of UAD Spark, Universal Audio’s new subscription-based native plug-in collection, longtime UAD users (like myself) now have access to a subset of our existing go-to UAD...
This is a new one. FiDef is a psychoacoustic process MAAT licensed from FideliQuest LLC for inclusion in thEQblue (which is a sweet EQ – but that’s a different discussion). Now available...
BABY Audio is quickly developing a reputation for boiling plug-ins down to their essential components and reshaping them into concentrated, powerful production tools. With their newest release, a...
There is absolute magic contained in the plastered walls of classic studios’ echo chambers. I’ve been lucky enough to make many records at Sound Emporium Studios in Nashville, which has...
Texture still seems to me to be the hill on which the battle between us analog Luddites and the digital future is raging. Though digital emulations are now, broadly, pretty good and getting better,...
Every stereo mix has a phantom center, or middle channel. This “mid,” includes any audio that is not panned (or recorded) exclusively to the right and left “side” channels, and...