to build a studio
by Steve Pogact
Deciding to build a home studio requires complete denial of economic and practical realities. Due to the sorry state of the commercial recording studio marketplace, any musician requiring studio time...
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DBX 386
by Rob Lodes
More and more the computer is becoming a part of the studio. In many studios it has even replaced the tape machine. Because of this many companies are putting a lot of effort in to creating tools for...
Getting good-sounding drum tracks using only 3 or 4 tracks
by D. Matz
This is an article that I've written, not as a response to, but let's say as an addition to, articles about drum recording that I have previously read in Tape Op. A more technical,"tracking" point of...
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A Low Cost, High Quality Analog Studio
by Steve Pogact
The conventional wisdom these days considers analog recorders a luxury of questionable value. For a home recordist just starting out, virtually all-available recorders are digital, whether tape based...
An Interns' Confession
by Bryan Bingold
What can I say? I love music. I can't envision a world that is absent of music. Like many, I have the dream of becoming a rock star. I picked up my first issue of Tape Op because it contained an...
The Making of Amateurism
by David Nichols, Greg Wadley
There's a new record out on Chapter Music of Melbourne, Australia, which collects the entire recorded output of Andrew Wilson onto one CD. Wilson's bands, the Four Gods, Frontier Scouts and Andrew...
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