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Copperphone AV20 Microphone

Gear Review | No. 157

Copperphone AV20 Microphone

Sep 15, 2023

It has been more than 20 years since I got my first original Copperphone microphone and wrote a review for Tape Op about it . I fell in...

V2 Equalizer

Gear Review | No. 147

V2 Equalizer

Jan 15, 2022

In an incredibly saturated market, where there is a piece of equipment for every possible scenario – like a mic pre or EQ for hi-hat top and bottom...

1073 SPX Preamp & EQ

Gear Review | No. 127

1073 SPX Preamp & EQ

Sep 15, 2018

When I first opened the box to take a look at the 1073 SPX, I immediately saw a lot of familiar knobs that represented the exact same functions as...

Resonator A & B Dynamic Mics

Gear Review | No. 119

Resonator A & B Dynamic Mics

May 15, 2017

When a piece of equipment comes along that challenges the norms of the day, I always take notice. "Normal" is an ever-shifting sandbar in...

Red12

Gear Review | No. 102

Red12

Jul 15, 2014

A shotgun shell — an actual shotgun shell, from a 12 gauge shotgun — turned into a microphone. I liked the idea immediately. "Let's use...

Dove LDC FET mic

Gear Review | No. 99

Dove LDC FET mic

Jan 10, 2014

Transparency comes in many colors. The Archangel is a mic preamp that seems to create its own reality of transparency - with unprecedented...

AM670 compressor

Gear Review | No. 84

AM670 compressor

Jul 15, 2011

Joel Hamilton and Allen Farmelo each spent extended time working with the AnaMod AM670, a solid-state recreation of the Fairchild 670 Limiter, one of...

Yardstick 2496

Gear Review | No. 81

Yardstick 2496

Jan 15, 2011

Here I am, Tape Op’s Gear Geek, butting into an otherwise enthralling review from Joel Hamilton. After reading Joel’s draft of this review of the...

PDI 500 passive direct box

Gear Review | No. 72

PDI 500 passive direct box

Jul 15, 2009

Sometimes a simple piece of gear can make your life so much easier. Think about a TT to TRS adapter-handy for patching in something that you will use...

Si 500-series mic preamp

Gear Review | No. 69

Si 500-series mic preamp

Jan 15, 2009

Every time I record something, I am thankful that I have the right tools to simply get things rolling for the client. I don't make them stand...

M7 Stereo Reverb Processor

Gear Review | No. 69

M7 Stereo Reverb Processor

Jan 15, 2009

When you walk into a room that seems like a cool acoustic space, do you clap your hands to hear the decay properties? Do you keep the conversation...

mpressor

Gear Review | No. 63

mpressor

Jan 15, 2008

Please read this with the "movie guy" voice in your mind. Many years have passed since the invention of the compressor, and the world has...

VMX tube mic

Gear Review | No. 60

VMX tube mic

Jul 15, 2007

I have always been curious about the Brauner microphones. I have seen the name for a while now, and the fact that Klaus Heyne got involved with this...

Modified Oktava MK-219

Gear Review | No. 56

Modified Oktava MK-219

Nov 15, 2006

Let me start this rant of a review by saying that endeavors like this one warm my recording heart. I love it when I meet someone that loves recording...

Liquid Channel

Gear Review | No. 43

Liquid Channel

Sep 15, 2004

I have to admit, I wanted to hate this unit. I realized that my prejudice came from my experience with a market that makes outrageous claims every...

Copperphone

Gear Review | No. 42

Copperphone

Jul 15, 2004

A microphone for anyone who likes outstanding build-quality, interesting sounds, and a DIY ethic, the Copperphone is handmade by Mark Pirro (The...

MDX4600 MULTICOM PRO-XL

Gear Review | No. 42

MDX4600 MULTICOM PRO-XL

Jul 15, 2004

One of the first things I learned when I started recording live concerts is the importance of a compressor/limiter right before going to tape/hard...

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