So here it is. The fateful letter that relentless talent scout and A&R honcho John Baccigaluppi sent to my band Vomit Launch back in 1988. Little did we know that soon we'd be holed up in his studio making records, and less than a decade later...
I don't want to explore this concept with as many words as I might for a Tape Op "End Rant", but I had to dump this shit out of my mind immediately. Someone dropped me a line recently; "I'd like you to hear this record I worked on. We didn't use EQ,...
I just finished reading your article, "My Unwritten (Until Now) "Rules" in the studio," Tape Op #85. Let me offer up a few words of wisdom on your well-written points.
- Don't play music by other artists: In 1978 I was working with a...
Submissions are now being accepted for Silver Sound's 3rd Annual Music Video Film Festival + Band Battle, taking place on January 10th, 2012 at Brooklyn Bowl. Silver Sound is a studio in NY that provides production, post-production, and live sound...
Larry and I recently spent a few weeks in the UK doing some interviews for the mag that you'll be seeing soon. Over the weekend I left Larry in London to play some gigs in Oxford and Cornwall with my friends in Sea of Bees. One of the...
I opened my commercial recording studio (Jackpot! Recording) in 1997, after years of simultaneously having a busy home studio while working day jobs to pay the rent. Making this leap to a full-time recording engineer/studio owner was terrifying. I...
Many Tape Op readers likely can’t imagine that issue #1 was Xeroxed and hand-folded 28 years ago, but it was. People may think of us as DIY, but there’s a long history of so many helping this magazine be its best, beginning with friends...
Going through some archives I came across this priceless piece of history: its the rate card from the studio my friends and I used to go to. You can see it here:. After years of nagging, we did get him to discount our rate to $50 an hour,...