CASE ONE:
Many years ago I was sent a very complex piece of recording equipment to review. It basically performed one simple function; but its inherent design was the concept that every parameter could be adjusted. Some similar devices I already...
Brian Charles and his friends at Zippah Studios are recording in the style of past hits, and then detailing how they did it. It's a weekly series. The latest post, in which they take an original song by Aaron Perrino (The Sheila Divine, Dear Leader)...
Interviews, Stories, and the Truth
by Larry Crane
In Tape Op issue #53 I interviewed Brian Kehew and Kevin Ryan, authors of the then-recently released book, Recording The Beatles. One of the topics we discussed was interviewing...
In issue #62, Josh Boughey reviewed the Monome 40h, a minimalist button-and-light interface which can be used to run musical applications. It's absolutely captivating in its simplicity; I'm writing this as an outsider, but as far as I can tell, the...
Dear Tape Op reader:Some folks might not know how inextricably connected Tape Op editor Larry Crane's recording studios have been to the history of Tape Op Magazine. His first home studio, Laundry Rules, was in a Portland basement at 33rd and...
Here's a guest spot from our pal Larry Devivo. It didn't quite fit a reply for Tape Op letters, but it's a great story and I wanted to share it. -LC
There is a new microphone made called the Lucas CS-1. This mic is the brainchild of Terry Manning...
I was on some webpage at the studio the other day, dealing with plug-in upgrades or such, when I noticed Google was placing profiled ads in front of me. Ironically, as I was in a pro studio, most were trying to refer me to recoridng schools (a bit...
I ran the end rant about "Lies" I hear in the studio from musicians. I asked for "Lies" that engineers tell people, but only got these two. But they're pretty good! Please take with a sense of humor, according to Arthur, but there may be some truths...
I'm in the middle of cataloging 1.5 TB of audio files. This is the work I do for the Estate of Elliott Smith. Two computers keep Pro Tools on the top one and FileMaker Pro and Excel for track sheets on the bottom one. Otherwise the MacBook Pro...