I couldn't have said it better myself. In fact, I say this all the time. Drop by Jim Powers' Music Shrink website and read his articulate post on the subject.
Tape Op is a bi-monthly magazine devoted to the art of record making.
It was at a recent trade show, after a major DAW manufacturer cancelled our meeting, that I realized I was relieved to be off the hook. I always enjoy meeting with this person, and I use and like their products. But I was relieved to not hear...
Stopify.net is a newly published community base and informational resource for why Spotify is damaging to artists and to the music industry as a whole. Check out a centralized list of articles about the topic, and add your two cents to the growing...
Super producer T Bone Burnett has released The Other Side, a new album featuring guest performances from Lucius, Roseanne Cash, and Steven Soles. The album was recorded over a three week period and, is the last of a trilogy of albums, following...
Berklee College of Music sponsored a recent Tape Op newsletter and it got me thinking about music schools. In terms of my personal recording path, I learned on my own through trial and error and via mentors. You can read a little bit about that...
Your magazine was not the first place I'd seen Count's "I Have a Credit Problem" essay [Tape Op #89], but I feel compelled to respond.
I agree with his general ideas - credits should be shown, and the current "album experience" in the digital...
A pal who deals in pro audio recording gear (some good shit) sent an email our way complaining about people recording with cheap gear at home and the inevitable loss that this presents to the pro audio industry. My response:
XXX,
Look on the Tape...
by Alex Maiolo
The term “linchpin” tends to get chucked around pretty liberally when we discuss music scenes, but Ed Ackerson, who succumbed to pancreatic cancer on October 4th, was the very embodiment of it. Ed was one of those...