Yup, we're finally back on track with clothing here at the US branch of Tape Op. Check it all out, plus back issues, at Good Mountain, our new supplier of direct mail order goodies for Tape Op.
Tape Op is a bi-monthly magazine devoted to the art of record making.
More good stuff from Brittany Howard and Shawn Everett on the making of Brittany's new album Jaime
Read the whole interview with Brittany and Shawn HERE
Our busy friends over at the Future of Music Coalition have released a study, “Same Old Song: An Analysis of Radio Playlists in a Post FCC-Consent Decree World”. Check it out - basically the major radio stations owners - Clear Channel,...
Tape Op contributor Allen Farmelo sent us this thoughtful piece on why the mag doesn't feature many "negative" reviews. Makes sense to me. I imagine anyone out there wanting us to write reviews ripping apart gear all the time still might come up...
Steve AlbiniRemembered by Larry Crane
On Jan 19, 1987, I clambered aboard a yacht in Emeryville, CA, to interview Steve Albini and the band Big Black for BravEar Magazine, a conversation that unfortunately was never published due to the mag folding...
(text from the Scotty Hard Trust website): Scott Harding is a highly accomplished New York City based music producer, engineer, and performer. Over the course of 20+ years, his rich and varied career has taken him to Africa, Europe, North America...
Dear Tape Op Readers,
As you know many of our family, friends and colleagues on the East Coast have been hit hard by Hurricane Sandy last week.
Led by Ken Bogdanowicz of Sound Toys, several of our advertisers have joined together to help raise...
Take a look/listen to the new video and single "Didn’t" (feat. Cavetown) from Sarah Tudzin, aka illuminati hotties, from their upcoming LP, Power.
Sadie Dupuis of Speedy Ortiz and Sad13, interviewed Sarah for Tape Op #145 and you can...
Years ago John Fischbach, a well-established and respected producer/engineer, came to my studio to record an album that our mutual friend, Luther Russell, was producing. [See Tape Op #21.] In those days my studio, Jackpot! Recording, was a diamond...