Larry Crane and Geoff Stanfield discuss Bus Processing in the new episode of Creative Recording with Tape Op! Be sure to head on over to our YouTube channel and hit the subscribe and like buttons! Episode made possible with support from BURL Audio!
Tape Op is a bi-monthly magazine devoted to the art of record making.
Tape Op contributor, Chris Mara, has organized an amazing studio event coming up. I wanted to go but sessions have stopped me. If you can make it, this sounds like a lot of fun.
Tape Op Messageboard Thread and instructions Welcome to 1979 Studio
Dear Tape Op Readers,
As you know many of our family, friends and colleagues on the East Coast have been hit hard by Hurricane Sandy last week.
Led by Ken Bogdanowicz of Sound Toys, several of our advertisers have joined together to help raise...
Our friend and Tape Op contributor Neal Casal left us one year ago today on August 26, 2019.
Since then, a team of his close friends dug into the archive of music and photography he left behind to create items raising awareness and funds...
We interviewed Mike Campbell for issue #150, right around the time he and his band, The Dirty Knobs released their second LP, External Combustion. A year on, the band has released a new collection of music, Vagabonds, Virgins and Misfits. The Dirty...
We interviewed Jim Keller of Sondhus in issue #142. Sondhus (SAHN - duss) is an architectural acoustics design and build firm specializing in recording studios. They have designed and built studios for the likes of Depeche Mode, Apple, Heba Kadry,...
Submissions are now being accepted for Silver Sound's 3rd Annual Music Video Film Festival + Band Battle, taking place on January 10th, 2012 at Brooklyn Bowl. Silver Sound is a studio in NY that provides production, post-production, and live sound...
In a fascinating and really open Facebook debate initiated by fellow producer, cycling enthuiasist, and coffee-drinking pal, Eric Ambel (www.ericambel.com), I was alerted to what was finally a clear insight into how and why Spotify could possibly...
Okay, I'll admit I vote for the Grammies. Yup. Why? Besides the sometimes odd spectacle of the Grammy Awards, NARAS does some cool stuff in the music community (like the Seattle Studio Summit), MusiCares and the Producers and Engineers Wing. So I do...