Malian guitarist Mdou Moctar's new release, Funeral for Justice, is a wild ride. From the almost Iron Maiden-sounding moments of the title track "Funeral for Justice", to the frentic energy of "Sousoume Tamacheq", to the ethereal and more traditional sounding tracks "Takoba" and "Imajighen", the album pushes the Toureg blues/rock genre into new territory, both sonically and musically. Funeral for Justice was produced by Mikey Coltun, who also plays bass in the band, and the album was mastered by Heba Kadry.
I recently wrote about Craft Recordings, a division of Concord Records, and their excellent vinyl (and CD) reissues. I have become a huge fan of their releases, especially the attention to detail and sonic quality of their pressings.
On December...
All around great engineer, and good guy, Ronan Chris Murphy has a few episodes out of his new Ronan's Recording Show. Some studio tours, gear reviews and a look at the SwirlyGig drink holder! Check it out.
Matt Fordham did the great interview with Buddy Miller in Tape Op #34. He also has this great blog, Record Ready, with video tutorials on recording techniques and tips. Many are Pro Tools based, in case you're looking for help in that department. He...
Larry Crane adds an update to Eli Crews' original review of the Little Labs Redcloud 8810U8ERS Attenuator Pack.
Eli Crews did a great job of explaining this 8 channel attenuator eight years ago. What I find interesting is how, many years...
Vist Udi Koomran's special website ("MUSIC ENTHUSIAST AUDIO ENGINEER, PRODUCER FROM TEL AVIV ISRAEL. RECORDING MIXING AND MASTERING ORIGINAL AND CHALLENGING MUSIC IS MY PASSION.") and check out a fantastic interview with Etienne...
It's that time of year again where we go back through our digital listening histories or simply look over at the turntable to get a handle on just what we were enjoying this past year. There were a ton of great releases this year, many of them...
I'm about to write something that at first will seem like another gray-beard waxing nostalgic for a by-gone analog era. But, stick with me, because I think the tables are turning to where going analog might be as forward-thinking as it gets.
Let's...
This issue’s cover is an homage to the Pink Floyd song “Echoes,” from the album Meddle. The idea came to me after I saw Brian T. Silak’s photo of Jack Antonoff’s vintage tape delays, as the Binson Echorec...