Read the Tape Op interview with Annie Clark
Watch the video for "Broken Man"
It's no secret that we are serious Pink Floyd fans here at Tape Op. We have interviewed Floyd drummer Nick Mason, producer/engineers John Wood, Bob Ezrin, Alan Parsons, John Leckie, Youth, and Joe Boyd, and, of course, the band's...
Okay, so that's not the most original headline ever. I check the MySpace site once every 6 months and see old notes from friends about things that happened ages ago. Sorry. Oops. But what really drives me bat-shit is seeing ads like "Learn Audio...
That’s right, somehow a lowly engineer and magazine editor that can’t even type has been asked to read some excerpts from Tape Op: The Book About Creative Music Recording Vol. II and moderate a panel at world-renowned literary event,...
Reader Mike Petkau dropped a line about the cool site and collaboration he started: "I wanted to point you to a project I've currently wrapped up. For 16 weeks, every Wednesday, I've brought 3 very different musicians from different backgrounds to...
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Your magazine was not the first place I'd seen Count's "I Have a Credit Problem" essay [Tape Op #89], but I feel compelled to respond. I agree with his general ideas - credits should be shown, and the current "album experience" in the digital...
It is often challenging within a review period to fully explore a piece of gear and integrate it into the daily workflow. It's not that reviewers won't use the feature set and put it to task in at least a few applications, but to truly get to know...
In a fascinating and really open Facebook debate initiated by fellow producer, cycling enthuiasist, and coffee-drinking pal, Eric Ambel (www.ericambel.com), I was alerted to what was finally a clear insight into how and why Spotify could possibly...
I've received a few pretty odd emails recently. I know times are tough, unemployment sucks, but really, expecting any sort of "bailout" from the music biz has got to be the most delusional crap I've come across. Making a living in music requires hard...
