Yes, this is where I found myself running Pro Tools today. I WAS able to combine my favorite things: cooking, beer, coffee and recording.
For his new release, Honey, Caribou's Dan Snaith (Tape Op #35, #105) wears his Detroit techno influences on his sleeve, and uses AI to explore and reimagine vocals as well as manipulate his voice, to create an album of dance tracks that...
Every few years it seems time to give a brief explanation of how Tape Op Magazine "works." We constantly get letters from folks who are amazed that this magazine arrives to them for free. Well, it's actually very simple: you pay for...
I ran the end rant about "Lies" I hear in the studio from musicians. I asked for "Lies" that engineers tell people, but only got these two. But they're pretty good! Please take with a sense of humor, according to Arthur, but there may be some truths...
With 3 number one albums in 2012, Grammy winning mix engineer Ruadhri Cushnan is at the top of this game. Shortly after Mumford and Sons' album "Babel" was awarded 'Album of the Year' at the Grammys, Ruahdri made time in his busy schedule to chat...
Yup, I sit at my computer all day editing articles, writing stuff for the mag and answering the ridiculous amount of emails that always seep in over the course of a day. illus by Eva Kihl
This issue’s cover is an homage to the Pink Floyd song “Echoes,” from the album Meddle. The idea came to me after I saw Brian T. Silak’s photo of Jack Antonoff’s vintage tape delays, as the Binson Echorec...
"...from what I have seen, the industry is fatally flawed. Everyone seems to want something for nothing and few are willing to pay for what something is actually worth. Plus, there are thousands of graduates flooding recording studios each year...
Our compatriots over at Australia's fine Audio Technology magazine posted this video of a visit to Behringer City. See Video Here. It's a curious visit and Chris Holder offers some good insight into this man and his company. Thanks to Steven...
A while back I had an interesting session recording auditions and providing camera audio feed over the course of three days for 24 instrumental and vocal performers, all of whom were hoping to get on the roster with Cirque du Soleil. Roger...
