Brittany Howard and Shawn Everett discuss Nate Smith tracking "Goat Head".
Read the full interview HERE
In issue 32 we had a short review of Linda Smith's current CD. Even though we meant to get an interview with Linda in the mag at some point, for some reason it never quite happened. Jump to 2011 and Linda has assembled a site full of MP3's of her...
August 17th marked the release of a new Joe Meek restrospective. The full album's title is Joe Meek: From Taboo to Telstar 1962: A Year In The Life of 304 Holloway Road (Joe Meek's Tea Chest Tapes). This is not necessarily "new" music from...
Video Release: James Supercave "Burn" What follows may be one of the best answers to the "So, how'd you guys meet?" question we have ever heard. Producer, engineer, and oft-recorded bassist (Black Keys, Ryan Adams, Norah Jones) Gus Seyffert was...
Our pal, Marc Bianchi of Her Space Holiday is guest editing Magnet Magazine this week. He has some nice things to say about Tape Op, and as one of our original readers we thank him for the log time support and writing about us. Plus adding the video...
I couldn't have said it better myself. In fact, I say this all the time. Drop by Jim Powers' Music Shrink website and read his articulate post on the subject.
This past September, I attended the inaugural A3Exchange in Boston and had one of the most enjoyable conference experiences in years. A small team of forward thinkers, under the leadership of Paul Sitar, is putting together an "exchange" for...
John Caroll Kirby - Septet It is a great time for music and recording. The pandemic drove many artists into their bedrooms and living spaces to make recordings and others figured out ways to get into studios safely. I get a load of new...
Woodland is the name of Gillian Welch and David Rawling’s studio in Nashville, and it’s also the name of their new album. On Woodland, the duo continue to show their deep connection as collaborators. The album has a wide open sound that...
Check out the new track, “Domestic Workers Song,” from Dawn Landes. The song was originally written in 1939 but it’s still relevant and timely, and the recording is a fun sing-a-long romp with nods to The Band and the upstate NY...
