Malian guitarist Mdou Moctar's new release, Funeral for Justice, is a wild ride. From the almost Iron Maiden-sounding moments of the title track "Funeral for Justice", to the frentic energy of "Sousoume Tamacheq", to the ethereal and more traditional sounding tracks "Takoba" and "Imajighen", the album pushes the Toureg blues/rock genre into new territory, both sonically and musically. Funeral for Justice was produced by Mikey Coltun, who also plays bass in the band, and the album was mastered by Heba Kadry.
Last week Cycling 74 released the tremendous version 6 update to Max/MSP, their flagship multimedia programming platform, which provides an appealingly artistic interface into audio, MIDI, and video focused logic at a nonetheless ...
Tape Op Magazine’s founder and editor, Larry Crane, has been mixing songs and albums for people from all over the United States and the world for over 20 years. Many of these sessions are unattended, and here’s a glimpse into his...
On November 9-11, 2018, Ableton held their Loop 2018 conference in Hollywood, CA. Thom Monahan and I both went to check it out. Here’s some of what we experienced, starting with Thom. -JB
It’s hard to imagine a music software company...
The future of a world-class recording studio that has hosted recording sessions by David Gray, Anthrax, Ginuwine, Aaliyah, Bad Religion, Missy Elliott, Joe Bonnamassa, producers including Timbaland and Tom Dowd, Pulitzer Prize winning composer Steven...
For their eighth (!!!) release in three years, King Gizzard and the Lizard Wizard give the world Butterfly 3000. It is hard to know what to expect from this band of Aussies. They have spanned the genre spectrum with metal, garage-psychedelia,...
Steve AlbiniRemembered by Larry Crane
On Jan 19, 1987, I clambered aboard a yacht in Emeryville, CA, to interview Steve Albini and the band Big Black for BravEar Magazine, a conversation that unfortunately was never published due to the mag folding...