Take a look and listen below!
Read Tape Op's Interview with bandleader Eblis Álvarez.
Richard Kaplan, owner engineer of famed recording studio Indigo Ranch [Tape Op #103] is selling the remainder of his classic equipment collection. It includes vintage and rare pieces by API, Aengus, Fairchild, Teletronix, Neumann and...
Weirdest email to Tape Op ever? This one takes the cake. Delusional. -Larry From: XXXXXXX Date: June 18, 2011 12:56:02 PM PDTTo: larry@tapeop.comSubject: LETTER OF INQUIREHope that Mr. Larry Crane will receive this...
I pulled short straw and had to go pick up the take out tonight (take away for our UK readers). The radio was set to NPR, so I let it alone. The announcer introduced a new segment called “Listen to This,” that features famous musicians...
Bassist, singer, and songwriter, esperanza spalding, (Tape Op #147) has just released new music, a collaboration with Brazilian legend Milton Nascimento. Milton + esperanza is a delightful listen that has foundational roots in Brazilian...
In the never-ending, century-old battle between corporations and content producers: I give you the latest bit of pro-artist activism. This is taken directly from the Grammy Foundation's website: Tell Congress to Save Music and Stop the "Pandora...
Watch the latest episode of Creative Recording With Tape Op, where Tape Op editor/founder Larry Crane and online publisher Geoff Stanfield discuss the fine art of mastering. Watch Now:
After reading Larry's "Eliminate Variables" End Rant from last issue, I was compelled to write a response. Don't get me wrong, I agree completely with everything he said; so before you read any further, revisit the back page of issue #92. I...
A year ago I read this quote from self-proclaimed expert music biz blogger, Bob Lefsetz: "We live in a lo-fi era. You can focus on sound quality, but most people can't hear it. There's a chance hi-fi is coming back, but do you really have...
Wade Baynham of The Second Story studio in Durham, NC, posted a nice piece about Ethan's End Rant in issue #88.
