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My pal Ethan Winer is half of the company Real Traps and hosts a page of all sorts of articles and information about acoustics and control rooms at this site: Real Traps One of my favorite pieces nearly ended up in Tape Op Magazine but after I...
Malian guitarist Mdou Moctar's new release, Funeral for Justice, is a wild ride. From the almost Iron Maiden-sounding moments of the title track "Funeral for Justice", to the frentic energy of "Sousoume Tamacheq", to the ethereal and more...
When I graduated from college, I dove headlong into restaurant work in order to survive. I had a degree in Visual Communications and a minor in Art from an un- prestigious college, but near the end of my studies I'd begun playing bass in a band...
Yup. And here's the video. Funny as shit. "Thanks AutoTune!"
I recently mixed my first album entirely on my laptop. Yeah, maybe I'm a decade behind the curve but I also own a studio and have done a majority of my work there. On this job we were attempting to cut and mix a record in three days and we didn't...
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A huge thanks to everybody who participated in the Hurricane Sandy relief auctions we posted last week. Thanks to you and our advertisers, Sound Toys, Avenson Audio, Dangerous Music, Placid Audio, and Universal Audio, we raised $42,578...
Thom and John had a great time at Loop 2018, so we wanted to let everybody know that Loop 2020 is open for registration now. This event always sells out way in advance, so don’t...
Dear Tape Op reader:Some folks might not know how inextricably connected Tape Op editor Larry Crane's recording studios have been to the history of Tape Op Magazine. His first home studio, Laundry Rules, was in a Portland basement at 33rd and...
