Malian guitarist Mdou Moctar's new release, Funeral for Justice, is a wild ride. From the almost Iron Maiden-sounding moments of the title track "Funeral for Justice", to the frentic energy of "Sousoume Tamacheq", to the ethereal and more traditional sounding tracks "Takoba" and "Imajighen", the album pushes the Toureg blues/rock genre into new territory, both sonically and musically. Funeral for Justice was produced by Mikey Coltun, who also plays bass in the band, and the album was mastered by Heba Kadry.
by John Baccigaluppi
The music industry trade shows, and the NAMM Show in particular, have always been a mixed bag for me. Every year, for the last 20 years or so, Larry and I, along with Geoff, Scott, and Marsha (We miss you Andy, Dave, and Laura!)...
During one of the many calls I have on a regular basis with my musician and audio professional friends, it dawned on me what a priveldge these conversations are and thought it might be a good idea to share them with a larger audience as a way to take...
I just read an excellent new essay called The Case Against Free in which the author suggests that the "free economy" is drying up the economic resources needed to make quality creative works. The article focuses on recordings. It's a well...
Rochester, NY’s The Chesterfield Kings have been leading their own garage rock revival since the late ‘70s. The new LP, We're Still All The Same, was recorded at Fab Gear Studios in Rochester, NY, and produced by Ed Stasium (Tape Op...
***This is a guest "re-post" from the SoundGirls website (courtesy of SoundGirls and Ainjel Emme)***
THE DOUBLE GLAZED GLASS CEILING: Women and the Grammy for "Producer of the Year, Non-Classical"
by Ainjel Emme
(originally...
Check out the new St. Vincent LP, All Born Screaming, and video for the track "Broken Man" out now. The album was recorded and mixed by Cian Riordan who interviewed Annie Clark (aka St. Vincent) for Tape Op #134.
Read the Tape Op...
"First off, I really enjoy reading Tape Op. I have read it since I was in 8th grade (2001)."
I never imagined I'd get an email that began like this. I will be 46 in May. Tape Op entered its 14th year in April. Jackpot! Recording Studio is over 14...