This episode is made possible with support from our friends at BURL Audio.
John Cuniberti records artists in the "OneMic" series with a single AEA R88 stereo ribbon mic. Results? Impressive!
It's that time of year again! The Grammy nominations are out and it's always fun to see a bunch of folks we have interviewed in Tape Op on the list. Here are the nominee's for Best Engineered Album, Non-Classical: Lucky Daye...
This three song EP from Jonathan Wilson and Milton Nascimento was not what I expected. I am a fan of both artists, but Moon Over Minas caught me off guard! It is a reverb-soaked, haunting, and psychedelic listen that leans much more to the sound of...
Speaking of the art world, reader Halsey Burgund sent a link to his installation that “involves some unconventional recording techniques, mainly doing it wirelessly and using lots of open-source and customized software.” Looks like fun...
Creating Community - A Regional Audio Industry Gathering On Saturday March 5, Recording Arts & Technology (RAT) @ Cuyahoga Community College will host a Regional Audio Recording Industry Gathering and Open House from 4-10pm at the...
by John Baccigaluppi It may not be obvious, but as this magazine’s graphic designer, the recently passed Vaughan Oliver was a major influence on the look of Tape Op Magazine. Being someone who’s not involved with social media, and as...
A band I work with is two weeks away from their release date. They've worked tirelessly to prepare for this release, hired an excellent publicist, shot videos, toured....they've done it all right and without fatigue. That record is the most...
Matt McGlynn over at the informative Recording Hacks site has a section devoted to Tape Op mic reviews. Not all of them are up yet, and we're not quite sure why he wanted to tackle this project (crazy? smart? nice guy?) but it's up there. Now I can...
by Larry Crane In 1996 my life changed. A few years earlier, I had been in a busy band (Vomit Launch, a precursor to what became indie rock) putting out albums and touring for almost eight years. In late 1992 we called it quits. I’d moved...
