Brittany Howard and Shawn Everett discuss Nate Smith tracking "Goat Head".
Read the full interview HERE
Brittany Howard and Shawn Everett discuss Nate Smith tracking "Goat Head".
Read the full interview HERE
Everyone has been talking about Dave Grohl's new documentary Sound City a lot lately. That's cool; it's a fun romp of a movie, even if Dave can't decide whether he's making a film about a Neve console, a dying studio, a rock star jam session or an...
NYC-based duo Cults have just released their fifth album, To the Ghosts. The album was co-produced by the band's Brian Oblivion and Madeline Follin with Shane Stoneback, mixed by John Congleton and mastered by Heba Kadry. Check out Cults on the...
Singer, songwriter, and stringed instrument master, Sarah Jarosz, has just released a deluxe edition version of her criitically-acclaimed album, Polaroid Lovers. This edition features two new songs, "Wildflowers in the Sky" and "Just Like...
We interviewed Jim Keller of Sondhus in issue #142. Sondhus (SAHN - duss) is an architectural acoustics design and build firm specializing in recording studios. They have designed and built studios for the likes of Depeche Mode, Apple, Heba Kadry,...
Check out this interview with our own Larry Crane in Spanish language audio magazine Audioforo! Read it HERE
By Pete Droge Recently, I unearthed a cassette tape from a box labeled "late 90s." The spine read "Warren Pash at Got Wheels." The tape contained two Pash originals I produced, engineered, and mixed: "Blue River" and "Bones & Stones." ...
I've interviewed and enjoyed Alan Parsons' company a number of times over the years, and a while back he even cornered me at an AES conference and videotaped a quick interview about Tape Op. He claimed to be putting together a video about recording....
Link here for a free pass to the 127th AES Convention in New York City, Oct. 9-12, for “Exhibits Only” registration. Come on down and visit the Tape Op booth and harass us about missing issues or why we don't review your CDs or write...
I got an email the other day from a PR person looking for Tape Op to write an article about several "known" engineer/producers and their drum recording techniques in the studio. These guys are known, and one of them we've written about and I think...