Listen to Mikey Coltun on the Tape Op DISCussion Podcast
Read the Tape Op Interview with Heba Kadry
Listen to Heba Kadry on the Tape Op DISCussion Podcast
Listen to Funeral for Justice on Spotify
We interviewed Herb Alpert in Tape Op #140, and he hasn't slowed down since. He just released his 50th album, aptly titled 50. It is yet another prime example of the lounge pop genre he all but invented with The Tijuana Brass starting in the...
Tape Op contributor Thom Monahan dug up this gem. Enjoy!
Well friends, there were just too many great albums this year, and so here is the "Rest of the Best". Andy and John both had super extensive year end favorites lists and make up the bulk of this list. I will need a good chunk of 2023 to dig in to...
I liked your end rant - what they didn't tell you in school - and I generally concur. For better or worse, I generally do things differently than the way students are taught in other classes, an approach that is perhaps more likely to cause trouble,...
Subconscious Auditory Effects (SAE) is a term I have cobbled together to encapsulate a broad range of phenomena in this barely-studied field of inquiry. An SAE is any measurable effect on a person caused by a sound, or change in sound, that is...
Nilüfer Yanya’s LP Painless was one of my faves of 2022 with its blend of guitar based songwriting, her unique singing voice, and forward leaning production and arrangements. I’m pretty over the Roland Jazz Chorus guitar tones, but...
No secret that I am a big fan of King Gizzard & the Lizard Wizard. They first caught my ear in 2017 with their Turkish Psych-Rock flavored album, Flying Microtonal Banana, and I have been a fan ever since. If you asked me what the definitive KGLW...
Fire Extinguishers in the Studio - [Note to our EU readers. I don't know if the U.S. letter conventions apply in your locale, but the fundamental suggestions in this post are universal.] It’s a really smart idea to have a couple of fire...
Wall Street PR reports on the woes of Avid, the company behind Pro Tools. What does the future hold? I'm just terrified of having to learn a new platform, buying more gear and software, and there not being a de facto DAW standard for professional...
