Brittany Howard and Shawn Everett discuss Nate Smith tracking "Goat Head".
Read the full interview HERE
More good stuff from Brittany Howard and Shawn Everett on the making of Brittany's new album Jaime Read the whole interview with Brittany and Shawn HERE
I liked your end rant - what they didn't tell you in school - and I generally concur. For better or worse, I generally do things differently than the way students are taught in other classes, an approach that is perhaps more likely to cause trouble,...
I've interviewed and enjoyed Alan Parsons' company a number of times over the years, and a while back he even cornered me at an AES conference and videotaped a quick interview about Tape Op. He claimed to be putting together a video about recording....
We interviewed Loma in Tape Op issue #148 and spoke with members Dan Duszynski, Emily Cross, and Jonathan Meiburg about their recording process. Emily also did the cover art for that issue, and Jonathan is also a member of Shearwater and a Tape...
I often think about the relation of commerce and art. It's a convoluted one, but necessary. How could one continue to create the best art possible if they were destitute? They won't - they will be focused on survival instead. A recent...
With hindsight, you could look at Wilco’s A Ghost is Born as a transitional album. Much has been written about their previous LP, Yankee Hotel Foxtrot, and a documentary film, I Am Trying To Break Your Heart, chronicles how during the making...
When we ran a page featuring senior contributor Garrett Haines' "Building Troubleshooting Skills" in Tape Op #84 I never expected to get the kind of replies we did below. The Letters section for upcoming issues was too full, so I'm posting these...
THE GREAT BRITISH RECORDING STUDIOS Howard Massey, an excellent author and recording engineer, is putting together what should be an important book on the British record studio scene of the sixites and seventies. If you were involved in this...
