We are excited to announce Creative Recording With Tape Op. This video series covers a wide range of recording and mixing topics, concepts, and solutions. We look forward to sharing these conversations with you in the coming weeks and months, but for now enjoy Episode #1, What Makes a Great Recording? Episode made possible with support from Burl Audio!
Your magazine was not the first place I'd seen Count's "I Have a Credit Problem" essay [Tape Op #89], but I feel compelled to respond.
I agree with his general ideas - credits should be shown, and the current "album experience" in the digital...
Subconscious Auditory Effects (SAE) is a term I have cobbled together to encapsulate a broad range of phenomena in this barely-studied field of inquiry. An SAE is any measurable effect on a person caused by a sound, or change in sound, that is...
Nilüfer Yanya’s LP Painless was one of my faves of 2022 with its blend of guitar based songwriting, her unique singing voice, and forward leaning production and arrangements. I’m pretty over the Roland Jazz Chorus guitar tones, but...
Tape Op contributor, Chris Mara, has organized an amazing studio event coming up. I wanted to go but sessions have stopped me. If you can make it, this sounds like a lot of fun.
Tape Op Messageboard Thread and instructions Welcome to 1979 Studio
Dear Tape Op reader:Some folks might not know how inextricably connected Tape Op editor Larry Crane's recording studios have been to the history of Tape Op Magazine. His first home studio, Laundry Rules, was in a Portland basement at 33rd and...
Fievel Is Glauque New Album: Rong Weicknes
by Sam Retzer
Fievel Is Glauque is the trans-Atlantic duo of keyboardist Zach Phillips (Brooklyn) and vocalist Ma Clément (Brussels), who lead a “series of live bands” to...
Years ago John Fischbach, a well-established and respected producer/engineer, came to my studio to record an album that our mutual friend, Luther Russell, was producing. [See Tape Op #21.] In those days my studio, Jackpot! Recording, was a diamond...
I finally figured out what makes for a successful tracking session: simply eliminate the variables. On one level this could be seen as pre-production combined with concise decision making. Certainly those can help - but what I'm talking about is...
Joe McGinty has Carousel Studio in New York. Here his pal Amy Hobby gathered 20 young ladies to knock out a great version of Mike Oldfield's "Tubular Bells" on film featuring Joe's INSAME collection of vintage keyboards. This film is the best...