Malian guitarist Mdou Moctar's new release, Funeral for Justice, is a wild ride. From the almost Iron Maiden-sounding moments of the title track "Funeral for Justice", to the frentic energy of "Sousoume Tamacheq", to the ethereal and more traditional sounding tracks "Takoba" and "Imajighen", the album pushes the Toureg blues/rock genre into new territory, both sonically and musically. Funeral for Justice was produced by Mikey Coltun, who also plays bass in the band, and the album was mastered by Heba Kadry.
James Goss has interviewed many independent record store owners across the country to see how they stay in business and what they sell. Every month a new store will be profiled with interviews and photos. Pretty fun. Here's the link: Vinyl Lives
Here's some links and stuff from a thread I started at the Tape Op Message Board forum:
David Byrne interviews Thom Yorke about the Radiohead "In Rainbows" download in Wired Magazine.
Pandora Radio is an internet radio site that allows the...
On November 9-11, 2018, Ableton held their Loop 2018 conference in Hollywood, CA. Thom Monahan and I both went to check it out. Here’s some of what we experienced, starting with Thom. -JB
It’s hard to imagine a music software company...
It is often challenging within a review period to fully explore a piece of gear and integrate it into the daily workflow. It's not that reviewers won't use the feature set and put it to task in at least a few applications, but to truly get to know...
What? Huh? That's right, now you can "use classic studio gear online." This guy Fredrik created some way to remotely set compressors and equalizers and then pass your audio through them. Pretty genius and probably the wave of the future for certain...
If you want to stay in business you need to record all kinds of bands, including those you don't care for. (This is actually a shock to some people. It is. They don't last long, and their refusal to work with anyone except bands they hand-pick is...
Photo: Larry Crane
The recent passing of Ed Cherney sent me to my archives. I'd interviewed Ed many years ago and he asked me not to run it. We went back and forth about it, and I never understood why he didn't want this interview in Tape Op....