After reading Larry's "Eliminate Variables" End Rant from last issue, I was compelled to write a response. Don't get me wrong, I agree completely with everything he said; so before you read any further, revisit the back page of issue #92.
I understand the need to keep a session on track, with surprises at a minimum, as he described; but I feel that part of the engineer/producer's role is to also recognize — and maybe even help create — mistakes when working in the studio. We need this now more than ever, with tools like computer editing, pitch correction, and plug-in presets making it all too easy for recordings to be just a bit too perfect, a bit too sterile.
So, like Larry's tips for eliminating variables, here are few thoughts on putting some chaos back into a session:
*Try at least one piece of gear you've never used before on each new session or, if that's not feasible, implement an older piece of gear in a unique way. Maybe place a mic over the drums that you haven't utilized there before. Use the compressor you always put on bass and try it on the piano. Record guitar with the weird $37 mic you bought on eBay. These tricks can help change up a session while keeping everyone involved, excited, and creative. Just keep in mind that a little bit goes a long way; it's probably best to stick with what you know on the lead vocal.