Interviews | No. 93
Near the end of my interview with Steve Lillywhite, CBE, he confessed to me, "My first thought is that I hate doing some of these interviews. I thought Tape Op was like the other audio magazines, and...
Whether printing complex mixes, section-by-section through old Neve consoles without automation to 1/2-inch tape, or hauling recording rigs and generators into the mountains of Morocco, Bill Laswell e...
A sampling of the artists Robert Musso has recorded (or mixed) gives an idea of the stratospheric world he inhabits on a daily basis — Ornette Coleman, Bootsy Collins, Buckethead, Herbie Hancock, Iggy...
I first met Justin Meldal-Johnsen via our mutual friend, Lyle Workman, at a NAMM show. He was a Tape Op reader and seemed like a cool dude. He's also got a big 'fro, so when I saw him on a TV show, pl...
Brian Kehew is well known as the co-author (with Kevin Ryan) of the massive book Recording The Beatles [Tape Op #53]. But he's also been a fill-in keyboardist (and live tech) for The Who and a member...
The days of white lab coats at Abbey Road are long gone. Recording technology has never been more accessible to musicians, and there is a well-defined lineage of great artists who can both craft a son...
I first met Justin Meldal-Johnsen via our mutual friend, Lyle Workman, at a NAMM show. He was a Tape Op reader and seemed like a cool dude. He's also got a big fro, so when I saw him on some TV show p...
British superproducer, Steve Lillywhite, CBE, has spent more than three decades helming storied recordings by artists like U2, Peter Gabriel and the Dave Matthews Band. Fresh from his latest work prod...
Whether printing complex mixes, section-by-section, through old Neve consoles without automation to 1/2-inch tape, or hauling recording rigs and generators into the mountains of Morocco, Bill Laswell...
