GEAR REVIEWS

THE MEANS CONTRIBUTE TO THE END. USUALLY.

AI-1 Complete Studio Kit

ISSUE NO. 124 • March 15, 2018

REVIEWED BY Scott McChane

After focusing on making microphones for 50 years, our Australian friends at RØDE have just released theAI–1single-channel, high-resolution (24–bit, 96 kHz), portable interface. TheComplete Studio Kitincludes theAI–1, along with RØDE's newNT1large-diaphragm condenser mic (with shockmount, pop filter), as well as XLR and USB cables. You even get a free download voucher for Ableton Live Lite. No need to go back to the big-box stores to hunt for cables to start working. It's a portable studio in a box that's ready to go. The only thing missing is a set of headphones.

The sturdy, black anodized metalAI–1interface is about the size of a standard BOSS or Ibanez guitar pedal — maybe a tad heavier. Its faceplate is simple and easy to read. There's a Neutrik Combo jack for XLR mic or 1/4'' instrument/line–level input, a 1/4'' headphone jack, and two knobs to control preamp and headphone levels. Pushing the preamp knob toggles phantom power, and a smart little LED indicates that +48 V is active. An equally small, but easy to read, multi-colored LED indicates input signal, turning red for overloads. Pushing the headphone knob enables input monitoring — indispensable for zero-latency overdubbing. The rear of the unit sports a single USB Type–C connection (theAI–1is bus powered) and a pair of TRS output jacks. Note that plugging in headphones defeats the rear outputs for muting your speakers. The bottom surface of theAI–1is molded in non-slip rubber.

Integrating theAI–1with my laptop and DAW was hands down the quickest, most trouble-free experience I've ever had with interface setup; it's class-compliant, so there are no drivers to install, and the included "dummy-proof" Quickstart Guide has more pictures than written instructions. (An optional ASIO driver for Windows can be downloaded.) For most, the only challenges will be setting sound preferences and learning how to use a mic. Headphone playback was crystal clear and indicator LEDs were easy to see, despite their tiny size. Controls are solid and well built. RØDE's quiet, detailed preamp boasts 45 dB of gain with more headroom than you'd expect for a device that can fit in the palm of your hand. Keep an eye on theAI–1's level indicator; if it hits red even a little, you're pooped — so use the headroom to your advantage! The RØDE's DI input was surprisingly clean, while its low-noise, smooth-sounding mic preamp matched well with the kit's includedNT1mic.

TheNT1is an upgrade of the classic RØDE NT1–A [Tape Op #39], and it sounds surprisingly present, with a really "up front" sound. I'm hearing a bump around 8–10 kHz (so watch your sibilance). There's also a good amount of detail in the lower midrange for a mic in theNT1's price range, but with a noticeable proximity effect. It would have been a plus for RØDE to add a high-pass filter; after experimenting with theNT1, I found the mic voiced best when placed a tad farther from the source than I might with other LDCs. TheNT1is a quiet mic, with an impressive self-noise rating of 4.5 dBA. While I'm quoting specs, the mic's max SPL is specified as 137 dB. It held its own on loud sources like guitar amps, without the need for a pad in some instances.

To my ears, theNT1's character seems very modern, with a slightly scooped midrange. The included Rycote Lyre shockmount with a detachable, double-screen, metal pop filter is probably my favorite feature of theNT1. In addition to being one of the most durable shockmounts I've ever used, it's super easy to adjust, with a large, thumb-twist-swivel-lock that doesn't get in the way of the mic stand. Popping the pop filter on/off is a snap. Many manufacturers are "cheaping out" on shockmounts; theNT1's included accessory is a breath of fresh air in that regard!

We had a great time multitracking songs with theComplete Studio Kit! TheAI–1's best assets are its sturdiness, simplicity, and size. It's so fun to use because the interface's modesty and intuitive design renders it nearly transparent in the creative process. TheNT1is a bona fide studio mic. Each piece alone is worth the price of the whole, so you're getting a big deal here with the accessories thrown in and a DAW for free. My only beef with theRØDE Complete Studio Kitis that there's no handle on the box.

$349 street;www.rode.com –SMscottmcchane.com

ISSUE #124
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