The new Special Edition 2×6 I/O Module for Symphony I/O Mk II offers the highest quality AD/DA in the Symphony line. The module can be added to existing Symphony Mk II audio interfaces [Tape Op...
DPA microphones are a Danish company that has been making high-quality microphones for studio, stage, and broadcast applications since 1992. A newer product from the company, called the d:vice MMA-A,...
Good digital conversion has come a long way in a relatively short time. There are now so many great options, ranging from streamlined 2-channel desktop interfaces and modular systems all the way up to...
In January 2018, Focusrite introduced USB2.0 class compliant versions of three audio interfaces in the Clarett range that were previously available as Thunderbolt-only devices, opening up the range to...
Uh-oh. Looks like the cool techs at Steinberg have been up to something. Audio interfaces are traditionally designed to offer transparent conversion from capture to representation. Though the new...
After focusing on making microphones for 50 years, our Australian friends at RØDE have just released the AI–1 single-channel, high-resolution (24–bit, 96 kHz), portable...
Arturia has been building stellar hardware and software instruments for years now, and the AudioFuse is their first ingress into the competitive world of audio interfaces. I was a little uncertain at...
Switzerland's Merging Technologies is best known for their Pyramix, VCube, and Ovation workstations. But the company also makes world-class converters. Merging's flagship Horus is a network-enabled...
The fact that you can buy the Yamaha TF1, a 32-channel digital mixer with 20 analog input channels, 16 analog outs, moving faders, touchscreen control, advanced networking, and an onboard 34-channel...
Universal Audio has been refreshing its line-up of Apollo interfaces over the past few years, and now the Apollo Twin compact desktop interface [Tape Op #101] gets what UA is calling a...
The Red Range is Focusrite’s latest series of audio interfaces, currently comprised of the Red 4Pre and Red 8Pre. The former has four built-in Red Evolution preamps, and a total I/O...
Great sound, flexible, tough, balanced, professional I/O, MIDI I/O, expandable, built-in DSP, bus-powered — these features and traits shouldn't have to be mutually exclusive in a compact, mobile...
