Intro / TOC #153
by Larry Crane
This issue’s guest End Rant, “Industry Standard,” by my pal Garrett Haines, led me to recall a session and album from nearly two decades ago. John Vecchiarelli was a busy, gigging...
This issue’s guest End Rant, “Industry Standard,” by my pal Garrett Haines, led me to recall a session and album from nearly two decades ago. John Vecchiarelli was a busy, gigging...
Over the last 15 years, my studio career has leaned more and more towards the mixing process. I'm still involved in producing many tracking and overdubbing sessions, but even long before the...
The recent sale of Bob Dylan’s one-off recording of “Blowin’ in the Wind” for $1.7 million dollars has left me reflecting on a very different way of evaluating art and...
When this magazine began, one aspect of the music creation process I decided not to write about was how the finished recordings actually get to the listener. I’d already seen several iterations...
When we hit milestones (such as 150 issues of this magazine!), I always pause and think about what it all means. This magazine is named Tape Op for a reason. What is a tape op? Well, as we get further...
In our previous issue (Tape Op #148) while talking about why he does his beaunoise solo music, Beau Sorenson noted “how a lot of engineers and producers had a need to satisfy their creativity...
Recently, I was helping out a client via one of my Virtual Recording Workshops. In his single song session, there were almost 100 guitar tracks, with multiple amps and mics for every part and...
Recording and creating music has been the center of my life since I was in my late teens. Initially, I was tracking my pals as we goofed around with silly songs and ideas. I also worked on...
When I founded Tape Op twenty-six years ago, I had no concept of the ways in which this magazine would change my life. Professionally, it’s been amazing to visit studios and recordists all...
Until recently, I’d never really listened to many podcasts. I know that I help our online publisher, Geoff Stanfield, with the Tape Op Podcast, but I hadn’t really found the time or the...
I’m obsessed with the history of recorded music. Many nights are spent sitting in bed, reading biographies of musicians and recordists that I admire. Sometimes they are about the people that...
From a recent letter to Tape Op: “Would it be possible to do some interviews where the subject matter deals more with the technical side of equipment usage? I'm sure the experience and technical...