Nov/Dec 2015

Welcome to issue #110 of Tape Op.

 

I'll bet a lot of our readers know this feeling. You labor over a recording, working so hard, and eventually the music gets released into the world. You feel proud knowing something good has been accomplished. And then it starts - the "reviews" trickle in. It may begin with an offhand comment by a friend ("Oh, it was interesting, but it just didn't grab me."), or some anonymous post online ("Who really needs their new album?"). Next comes the local or regional reviews where the writer makes odd assumptions about the style of music you are presenting ("We're a ska/metal/polka/surf band?"), or dumps on it because it doesn't sound like some album that has sold millions ("This is certainly no Hotel California."). Down the line, bigger magazines and websites might weigh in ("Pitchfork only gave us 1.3? Why? Did we piss someone off?"). 

You've all spent days, weeks, and maybe even months getting the recordings to sound how you wanted them. Relationships between all involved have grown. Everyone is focused on making this album, or release, as good as it can be. But then, at the end of this intimate process, someone may listen once (hopefully they even listen) and pass judgment quicker than it might have taken to record a single keyboard overdub. You know what? Screw the critics. Believe in what you do. And trust your love of music and the desire to create. 

— Larry Crane, editor

In This Issue See more →

Columns See more →

End Rant

Don't Give Up

by Larry Crane

I'm in front of the console, about one hour into a mixing session with a new client in attendance.  I've got too much on my mind, an issue of the magazine to write and edit, gear to upgrade...

Gear Geeking

An Ode to Ribbons

by Andy Hong

I can remember back in 2002, when I first joined the Tape Op team as Reviews Editor, ribbon mics were relatively rare, and even new ones, like the now ubiquitous Royer Labs R-12, weren't too often...

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Gear Reviews See more →

EQs

Program Equalizer EQP-WA

by Warm Audio  |  reviewed by Andy Hong, Adam Kagan, Alan Tubbs

Even before the Warm Audio EQP-WA was first shown at the NAMM Show in January 2015, I had multiple reviewers giving me a holler asking to review it. Warm Audio's take on the revered Pultec EQP-1A...

Mogaine ribbon mic pre-preamp

by Crimson Audio Transformers  |  reviewed by Garrett Haines

Many of us love ribbon mics. Arguably, they can be the best option for some sources. But even fans know how low the output level of ribbons can be. Active ribbon mics have appeared in recent years,...

X-15 stereo ribbon mic

by Cascade Microphones  |  reviewed by Geoff Stanfield

The first ribbon microphone was co-invented by Walter H. Schottky and Erwin Gerlach in the 1920s, but the first "broadcast quality" ribbon mics were designed by Dr. Harry F. Olson for RCA. Prototypes...

Elements 500-series mic preamps

by Hairball Audio  |  reviewed by Garrett Haines

Seattle's DIY Wizards are at it again — this time with more preamps taking advantage of the 500-series format. The Elements line-up of preamps includes four models: Gold, Copper, Bronze, and...

 

Tape Op is a bi-monthly magazine devoted to the art of record making.

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