We are excited to announce Creative Recording With Tape Op. This video series covers a wide range of recording and mixing topics, concepts, and solutions. We look forward to sharing these conversations with you in the coming weeks and months, but for now enjoy Episode #1, What Makes a Great Recording? Episode made possible with support from Burl Audio!
More good stuff from Brittany Howard and Shawn Everett on the making of Brittany's new album Jaime
Read the whole interview with Brittany and Shawn HERE
My pal David Lowery (Cracker/Camper Van Beethoven) has been doing a cool blog called 300 Songs, telling stories of how songs came about and other crazy stories. The most recent one is about the late Don Smith, who produced and engineered a bunch of...
I opened my commercial recording studio (Jackpot! Recording) in 1997, after years of simultaneously having a busy home studio while working day jobs to pay the rent. Making this leap to a full-time recording engineer/studio owner was terrifying. I...
We interviewed Mike Campbell for issue #150, right around the time he and his band, The Dirty Knobs released their second LP, External Combustion. A year on, the band has released a new collection of music, Vagabonds, Virgins and Misfits. The Dirty...
I just got an email from a company telling me that I need to buy the new version of a product of theirs - I already own the one that came out several years ago. I guess the $3000 I invested in their hardware wasn't enough, and now I need to buy a new...
With the release of Lawrence "Larry" Crane's Craniostomy Vol. Two, Tape Op's founder gives us a glimpse into his home recordings from 1983 to 1985. Cassette decks and odds and ends were harnessed into making these tracks, and revisiting them in...
Check out Ross Healy's VICMODBLOG on analog modular synths. He interviews "people who build and sell modular gear and forgotten electronic musicians." Cool stuff.
The worldwide COVID-19 situation is affecting us all at this moment. Years ago I was a gigging musician and restaurant worker, and I feel I essentially still live a gig economy life - depending on Tape Op and studio bookings for personal income....
Many Tape Op readers likely can’t imagine that issue #1 was Xeroxed and hand-folded 28 years ago, but it was. People may think of us as DIY, but there’s a long history of so many helping this magazine be its best, beginning with friends...