Tape Log

By Mitchell Sigman's own description: "Memory Banks is an all-original love letter celebrating the futuristic musical visions of ELO, Kraftwerk, The Alan Parsons Project, et al. No AI, no...

Although the opening moments of The Black Keys' (Dan Auerbach [Tape Op#127] and Patrick Carney [#136]) new release, Peaches!, sounds like a Tinariwen record, it quickly settles in to a familiar...

Visit this recent Reddit thread to follow an interesting conversation about YouTube recording influencers and Tape Op shout out. OMG. Larry has written a LOT of gear reviews over the years, by the...

I went to see I'm With Her [Podcast Ep. #106] at The Moore theater here in Seattle on their 2025 tour, and it was among the best performances I have seen in years. The trio of Sarah Jarosz [Tape...

I interviewed Steve Gunn in 2023 for Episode #80 of the Tape Op Podcast after coming across his 2019 album, The Unseen in Between. His 2025 release, Daylight, Daylight, was one of my favorite albums...

Weezer is back with a new album coming soon and they have released the single, “Shine Again,” which was produced by Kenny Blume and Klas Åhlund at Kenny’s Putnam Hill studio in L.A. The song was...

How low can you go? Few bands today (too few?) can wear black cloaks, tune their instruments so low that the strings are in a state just above completely slack, turn the amps up as loud as they will...

In 2018 I was hired to record a Pathway to Paris event at The Masonic in San Francisco that featured Patti Smith, Bob Weir, and Flea, and was organized by Smith’s daughter, Jesse Paris Smith. Hearing...

Our good friend and frequent contributor to Tape Op, Scott McDowell, was hit by a car last week.  His friends have set up a GoFundMe page to help with his recovery if you are able to...

I always look forward to new music from Courtney Barnett, and her new release, Creature of Habit, delivers more of the fun mix of surfy, punky, sometimes angular and sometimes groovy indie rock...

Gladie’s third LP, No Need to Be Lonely, shows up right on time. With Jeff Rosenstock in [Tape Op #172] this feels like a natural extension of that conversation, offering a look at his work in a...