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Audio PRE-1 mic preamp

Gear Review | No. 172

Audio PRE-1 mic preamp

Mar 16, 2026

I feel very lucky to be in the type of community where friends will sometimes contact me and say, “Hey, I have this cool thing I’ve been borrowing...

ProPatch patchbay

Gear Review | No. 169

ProPatch patchbay

Sep 9, 2025

Over the past several decades, many of our most essential tools from the analog era have either adapted to give us more flexibility, recallability...

Workflow Platform for Creatives

Gear Review | No. 149

Workflow Platform for Creatives

May 15, 2022

EC: The past two years have given many of us an opportunity to reexamine our daily routines. For me, this manifested most profoundly in my work...

LL2A Compressor Limiter

Gear Review | No. 144

LL2A Compressor Limiter

Jul 15, 2021

I’m always excited to see a new product from Little Labs. I’ve been collecting Jonathan Little’s ultra-handy studio devices for over 15...

HDI Studio DI

Gear Review | No. 141

HDI Studio DI

Jan 15, 2021

As gear reviews go, this is a pretty easy one to write, as the issue isn’t whether or not this is an excellent product. It most definitely is, which...

Mini K87 microphone

Gear Review | No. 137

Mini K87 microphone

May 20, 2020

In a recent review of a $7000 tube condenser microphone, I alluded to the fact that there are excellent condenser microphones being made for $400 and...

U 67 Tube Microphone Reissue

Gear Review | No. 135

U 67 Tube Microphone Reissue

Jan 15, 2020

I'm not going to do the thing where I give you the full history of Neumann microphones and how the U 67 fits into it. There are already plenty...

CLA-200 Studio Reference Amplifier

Gear Review | No. 133

CLA-200 Studio Reference Amplifier

Sep 15, 2019

Yamaha NS-10s (along with other equipment, like the Shure SM57) have undoubtedly been among the most omnipresent tools of our trade in the past three...

MK1113BK Pro Pack 1

Gear Review | No. 133

MK1113BK Pro Pack 1

Sep 15, 2019

Come close for a minute. Let's talk about mic stands. You know the type – the kind that look like someone with a doctorate in industrial...

SUPERFET 47 & 48 Microphones

Gear Review | No. 130

SUPERFET 47 & 48 Microphones

Mar 15, 2019

Yes, I'm with you. Do we really need more Neumann U 47 and U 48 clones in the market? Apparently the Slovakian company FLEA Microphones thinks...

Colares Vocal Condenser Mic

Gear Review | No. 129

Colares Vocal Condenser Mic

Jan 15, 2019

As engineers and studio owners, we all get excited (and check our cashflow) when a new microphone design hits the streets – especially when that...

Arouser Plug-in

Gear Review | No. 117

Arouser Plug-in

Jan 15, 2017

The same day that Empirical Labs, Inc. (ELI) announced the availability of Arouser, a dynamics processor plug-in that looks like a suped-up, virtual...

DDL-500 500-series delay

Gear Review | No. 111

DDL-500 500-series delay

Jan 21, 2016

Okay, Eventide has just officially become my favorite pro audio manufacturer on the planet. I had almost finished this already favorable review, and...

AN-16/i v.2 Input Module

Gear Review | No. 108

AN-16/i v.2 Input Module

Jul 15, 2015

It has always been a priority for me to provide the ability for each member of a band to dial in her or his own headphone mix during a tracking or...

SM9 active studio monitor

Gear Review | No. 108

SM9 active studio monitor

Jul 15, 2015

The quest for the right studio monitor can be long and frustrating. Or, the first pair you audition can instantly become the pair you know and trust...

BM9S II subwoofer

Gear Review | No. 107

BM9S II subwoofer

May 16, 2015

I've been using a pair of Dynaudio Professional BM6 mkIII monitors for about four months now in my home mixing setup, and I took to them more...