Interviews

Ade Fenton: Producing Gary Numan

Ade Fenton is a creative, masterful cutting-edge engineer, producer, DJ, and composer based in the UK. He has worked with Gary Numan on his past four studio albums, Savage (Songs from a Broken World), Splinter (Songs from a Broken Mind), Dead Son Rising, and Jagged, as well as having worked on many of Numan's live recordings. His sonic work is spacious, sometimes dark and haunting, and frequently soaring.

How did you meet Gary Numan, and what is your working relationship like?

We met through a mutual friend 15 or 20 years ago. I had quite an established career as a DJ, playing the DJ circuit, and had a couple of techno labels. I always loved listening to music, going back to Cabaret Voltaire and all sorts of weird music. I hadn't thought at the time to make non-dance music. I started making tracks and playing them for Gary. I think he probably expected it to be crap. He didn't get what I was doing in the techno world at all, but he quite liked these. When he was writing his album Jagged, he had me produce one of his tracks. He ended up really liking it; he signed me up for the album, and we've worked together ever since. We have a fantastic personal and professional relationship. I guess with people who work together as friends it sometimes gets in the way, but it actually helps that he trusts me personally and professionally, and likewise. He knows that if I have a problem with something, or if he has a problem, we'll go with whatever is best for the album or track we're doing. It just works. A couple of years ago we had a little bit of a break with one another because I was working on a project. When we got back together for Savage, we both felt like it might be tough to get back into the swing of things, but it was just ridiculous. From day one it was fantastic. We spend very little time in the studio together. One of the main reasons is because he's in Los Angeles and I'm in the UK, but with technology the way it is now, we'd be swapping arrangements in real time with high-speed internet. We'd use FaceTime, Dropbox, and figure out in two minutes if we liked something or not. It really is like being in the studio together. We got together for the final two weeks of the album to tweak and keep on improving it, but most of the time we actually did work remotely.

Do you prefer to work in isolation in the beginning?

MORE INTERVIEWS

Hidden Musics
INTERVIEWS · ISSUE #175 · Sep 2026

Hidden Musics

By Ian Brennan

By 2014, I'd already been transitioning for more than five years from working in traditional studios to almost exclusively doing field recordings overseas. As a result, I'd had some success with groups like Tinariwen, Malawi Mouse Boys, and The Good Ones. At that point, the...

Yves Jarvis
INTERVIEWS · ISSUE #175 · Sep 2026

Yves Jarvis

By Geoff Stanfield

Yves Jarvis is the moniker of Canadian musician Jean-Sébastien Yves Jarvis. His latest release, All Cylinders, won Canada’s Polaris Music Prize for best album of 2025, a record on which Jarvis wrote and performed all of the 16 tracks. Made entirely using Audacity and a half-broken...

Joe Boles
INTERVIEWS · ISSUE #175 · Sep 2026

Joe Boles Seattle Recording Pioneer

By Alex Kostelnik

In the mid-1950s, Seattle was host to the little-known music recording legacy of Jay F. "Joe" Boles. A fraction of his discography includes The Ventures, The Wailers, Cab Calloway, Big Jay McNeely, Buck Owens, The Fleetwoods, Robert "Bumps" Blackwell, Ella...

  Rostam Batmanglij
INTERVIEWS · ISSUE #175 · Sep 2026

Rostam Batmanglij Sonic Cinema

By Sam Retzer

Ever since Rostam Batmanglij burst onto the scene as a founding member of Vampire Weekend, he’s been known for his penchant for baroque and leftfield sounds in pop-leaning indie music. Fresh out of college, he handled production for the first three Vampire Weekend albums (Vampire...

Melina Duterte
INTERVIEWS · ISSUE #175 · Sep 2026

Melina Duterte Sharing Curiosity

By Danielle Goldsmith

Melina Duterte began recording her own music armed with little more than a laptop, a budget mic, and a fascination with how records are made. As Jay Som, she crafted a distinctive sound defined by textural, layered guitars, and soft, intimate vocals. Since then, Duterte has expanded...

Oli Jacobs
INTERVIEWS · ISSUE #175 · Sep 2026

Oli Jacobs Friends & Commitment

By Larry Crane

A graduate of the Tonmeister course, a former Head Engineer at Peter Gabriel’s Real World Studios [Tape Op#63], and now an in-demand mixer, engineer, and collaborator with Jack Antonoff and Laura Sisk [#135], Oli Jacobs has had a heck of a career path. He’s worked on records for artists...