Interviews

I Have A Question For You

Timmy Taylor of Brainiac

Brainiac latest Touch and Go release, Hissing Prigs in Static Couture, has some of the weirdest sounds on any recent rock record. Girls Against Boys' Eli Janney produced most of the songs, which were recorded at Water Music in lovely Hoboken, New Jersey. Steve Albini had to get a piece of the action, so he put "Nothing Ever Changes" to tape in his basement. The creepiest and catchiest song, however, is "This Little Piggy," which features an electric voice that sounds like the computer in that old Matthew Broderick movie War Games.

That's a Texas Instruments' home computer, the TI-994. I got that when I was 11 years old. We had it up in the attic for years, and I remembered that it had this speech pack, a metal box that you snap into one of the ports on the side. Then you type in simple sentences. I didn't have any of the books any more, so I just started going around to thrift stores in Dayton and by luck one of them had a complete TI set-up with this book that explained how to program it. I didn't want to pay the 25 bucks, so I stuffed the book down my pants and went home and learned how to program in basic again. I was able to write a simple program where you could feed sentences into it. It was really laborious-we had to feed it, then find the point in the song and punch it in. It took like three hours to get it all on tape.

Doug Scharin of Rex and Him

Doug Scharin, formerly with Codeine, now drums in Rex and spends his spare time in his Williamsburg, Brooklyn apartment fiddling with his 4-track while creating the electro-dub sounds for his project Him. Both Rex and Him have albums on Southern Records.

MORE INTERVIEWS

Hidden Musics
INTERVIEWS · ISSUE #175 · Sep 2026

Hidden Musics

By Ian Brennan

By 2014, I'd already been transitioning for more than five years from working in traditional studios to almost exclusively doing field recordings overseas. As a result, I'd had some success with groups like Tinariwen, Malawi Mouse Boys, and The Good Ones. At that point, the...

Yves Jarvis
INTERVIEWS · ISSUE #175 · Sep 2026

Yves Jarvis

By Geoff Stanfield

Yves Jarvis is the moniker of Canadian musician Jean-Sébastien Yves Jarvis. His latest release, All Cylinders, won Canada’s Polaris Music Prize for best album of 2025, a record on which Jarvis wrote and performed all of the 16 tracks. Made entirely using Audacity and a half-broken...

Joe Boles
INTERVIEWS · ISSUE #175 · Sep 2026

Joe Boles Seattle Recording Pioneer

By Alex Kostelnik

In the mid-1950s, Seattle was host to the little-known music recording legacy of Jay F. "Joe" Boles. A fraction of his discography includes The Ventures, The Wailers, Cab Calloway, Big Jay McNeely, Buck Owens, The Fleetwoods, Robert "Bumps" Blackwell, Ella...

  Rostam Batmanglij
INTERVIEWS · ISSUE #175 · Sep 2026

Rostam Batmanglij Sonic Cinema

By Sam Retzer

Ever since Rostam Batmanglij burst onto the scene as a founding member of Vampire Weekend, he’s been known for his penchant for baroque and leftfield sounds in pop-leaning indie music. Fresh out of college, he handled production for the first three Vampire Weekend albums (Vampire...

Melina Duterte
INTERVIEWS · ISSUE #175 · Sep 2026

Melina Duterte Sharing Curiosity

By Danielle Goldsmith

Melina Duterte began recording her own music armed with little more than a laptop, a budget mic, and a fascination with how records are made. As Jay Som, she crafted a distinctive sound defined by textural, layered guitars, and soft, intimate vocals. Since then, Duterte has expanded...

Oli Jacobs
INTERVIEWS · ISSUE #175 · Sep 2026

Oli Jacobs Friends & Commitment

By Larry Crane

A graduate of the Tonmeister course, a former Head Engineer at Peter Gabriel’s Real World Studios [Tape Op#63], and now an in-demand mixer, engineer, and collaborator with Jack Antonoff and Laura Sisk [#135], Oli Jacobs has had a heck of a career path. He’s worked on records for artists...