Interviews

Universal Audio

The 1176LN and the LA-2A are two examples of classic compressors which use very different techniques for gain control. The 1176LN uses a field effect transistor as its gain reduction element, while the LA-2A uses an electro-optical element (el- op) in its circuit. What follows is a basic overview of the principles behind the gain reduction circuits in each of these circuits.

In contrast to an amplifier which has a constant gain, a compressor is a device that varies its gain in response to the level of the input signal. When in compression, large input signals result in less gain, thus reducing or "compressing" the dynamic range of the signal. In order to accomplish this goal, a compressor must have the ability to both sense the level of the input signal as well as control the gain of the signal path. There are many ways to accomplish each of these tasks, with each approach exhibiting its own characteristics and sonic qualities. The 1176LN and LA-2A provide two different examples of how to accomplish these tasks. The gain reduction stage of the 1176LN uses a field effect transistor (FET) to control the gain. In this circuit, the FET acts like a variable resistor whose resistance is controlled by the voltage applied to its gate. The larger the voltage, the less its resistance will be. This gate voltage is derived from the side chain circuit and changes in response to the level of the input signal.

MORE INTERVIEWS

Hidden Musics
INTERVIEWS · ISSUE #175 · Sep 2026

Hidden Musics

By Ian Brennan

By 2014, I'd already been transitioning for more than five years from working in traditional studios to almost exclusively doing field recordings overseas. As a result, I'd had some success with groups like Tinariwen, Malawi Mouse Boys, and The Good Ones. At that point, the...

Yves Jarvis
INTERVIEWS · ISSUE #175 · Sep 2026

Yves Jarvis

By Geoff Stanfield

Yves Jarvis is the moniker of Canadian musician Jean-Sébastien Yves Jarvis. His latest release, All Cylinders, won Canada’s Polaris Music Prize for best album of 2025, a record on which Jarvis wrote and performed all of the 16 tracks. Made entirely using Audacity and a half-broken...

Joe Boles
INTERVIEWS · ISSUE #175 · Sep 2026

Joe Boles Seattle Recording Pioneer

By Alex Kostelnik

In the mid-1950s, Seattle was host to the little-known music recording legacy of Jay F. "Joe" Boles. A fraction of his discography includes The Ventures, The Wailers, Cab Calloway, Big Jay McNeely, Buck Owens, The Fleetwoods, Robert "Bumps" Blackwell, Ella...

  Rostam Batmanglij
INTERVIEWS · ISSUE #175 · Sep 2026

Rostam Batmanglij Sonic Cinema

By Sam Retzer

Ever since Rostam Batmanglij burst onto the scene as a founding member of Vampire Weekend, he’s been known for his penchant for baroque and leftfield sounds in pop-leaning indie music. Fresh out of college, he handled production for the first three Vampire Weekend albums (Vampire...

Melina Duterte
INTERVIEWS · ISSUE #175 · Sep 2026

Melina Duterte Sharing Curiosity

By Danielle Goldsmith

Melina Duterte began recording her own music armed with little more than a laptop, a budget mic, and a fascination with how records are made. As Jay Som, she crafted a distinctive sound defined by textural, layered guitars, and soft, intimate vocals. Since then, Duterte has expanded...

Oli Jacobs
INTERVIEWS · ISSUE #175 · Sep 2026

Oli Jacobs Friends & Commitment

By Larry Crane

A graduate of the Tonmeister course, a former Head Engineer at Peter Gabriel’s Real World Studios [Tape Op#63], and now an in-demand mixer, engineer, and collaborator with Jack Antonoff and Laura Sisk [#135], Oli Jacobs has had a heck of a career path. He’s worked on records for artists...