Interviews

Stereo Recording w/ Jecklin Discs: Fun with Jecklin Discs!

Every so often you might read about an engineer recording with "baffled stereo" mic placement. Some common examples are mannequin heads with microphones in the ears, or two PZM mics taped bottom to bottom. But why do people do this? And how does it work?

The principle behind this technique is actually quite simple. If a barrier is placed between to spaced stereo mics (e.g. ORTF, NOS, spaced omnis) something interesting happens. The baffle creates an "acoustic shadow", which is just a fancy term for saying it decreases the level of off-axis bleed into the mics. The exact results vary according to microphones and spacing, but generally this process will enhance left/right channel separation. In the case of the dummy heads (more formally known as binaural microphones), headphone listeners can be convinced they are in the room! With spaced omnis, there can be an increased perception of source location in the stereo field.

MORE INTERVIEWS

Hana Stretton
INTERVIEWS · ISSUE #176 · Nov 2026

Hana Stretton Recording tiarn

By John Baccigaluppi

Terroir is a term often used in the worlds of food and wine to describe the geographical and environmental conditions of a region, and I would argue that it also applies to music. Not just the way a room sounds, but the geographical and social surroundings around an artist as they write...

Hidden Musics
INTERVIEWS · ISSUE #175 · Sep 2026

Hidden Musics

By Ian Brennan

By 2014, I'd already been transitioning for more than five years from working in traditional studios to almost exclusively doing field recordings overseas. As a result, I'd had some success with groups like Tinariwen, Malawi Mouse Boys, and The Good Ones. At that point, the...

Yves Jarvis
INTERVIEWS · ISSUE #175 · Sep 2026

Yves Jarvis

By Geoff Stanfield

Yves Jarvis is the moniker of Canadian musician Jean-Sébastien Yves Jarvis. His latest release, All Cylinders, won Canada’s Polaris Music Prize for best album of 2025, a record on which Jarvis wrote and performed all of the 16 tracks. Made entirely using Audacity and a half-broken...

Joe Boles
INTERVIEWS · ISSUE #175 · Sep 2026

Joe Boles Seattle Recording Pioneer

By Alex Kostelnik

In the mid-1950s, Seattle was host to the little-known music recording legacy of Jay F. "Joe" Boles. A fraction of his discography includes The Ventures, The Wailers, Cab Calloway, Big Jay McNeely, Buck Owens, The Fleetwoods, Robert "Bumps" Blackwell, Ella...

  Rostam Batmanglij
INTERVIEWS · ISSUE #175 · Oct 2026

Rostam Batmanglij Sonic Cinema

By Sam Retzer

Ever since Rostam Batmanglij burst onto the scene as a founding member of Vampire Weekend, he’s been known for his penchant for baroque and leftfield sounds in pop-leaning indie music. Fresh out of college, he handled production for the first three Vampire Weekend albums (Vampire...

Melina Duterte
INTERVIEWS · ISSUE #175 · Oct 2026

Melina Duterte Sharing Curiosity

By Danielle Goldsmith

Melina Duterte began recording her own music armed with little more than a laptop, a budget mic, and a fascination with how records are made. As Jay Som, she crafted a distinctive sound defined by textural, layered guitars, and soft, intimate vocals. Since then, Duterte has expanded...