Interviews | No. 172
By Sam Retzer and John Baccigaluppi
It’s Sunday night in Manhattan at Irving Plaza, and Dan “The Automator” Nakamura takes the stage behind a mouthwatering wall of synths, across from Kid Koala [Tape Op#159] and his three turntables. Deltron 3030 is back to rock the same stage where they made their New York debut 25 years...
Connecticut-based Goose is a band with what might seem a meteoric rise into the public consciousness, but they have been building a loyal fan base the same way that artists like the Grateful Dead and Phish had before them, with nearly a decade of endless touring. Their latest release...
With the goal of releasing records recorded at the highest fidelity with minimal processing, Doug Fearn and brothers George and Geoff Hazelrigg began Outer Marker Records a few years ago, using DSD (Direct Stream Digital) recorders as opposed to the more typical PCM (Pulse Code...
When I recently interviewed Emily A. Sprague for this issue of Tape Op, she mentioned having played on an LP by artist Hannah Pruzinsky who goes by h. pruz. I’m glad Emily turned me on to pruz, as their new album Red sky at morning that Emily played on is a really beautiful set of...
Located in (yes) a former meat market, Pete Min calls Lucy's Meat Market in Eagle Rock, Los Angeles, his two room recording studio and home. Artists such as Meshell Ndegeocello, Real Estate, Lake Street Dive, Orville Peck, Chris Dave, The Monkees and others have used his...
Rob and I used to warm up for high school jazz band practices with an endless vamp of “Too Many Puppies” by Primus on drums and bass, respectively. In our small town of Waynesboro, Virginia, the turn of the ‘90s saw the thump of Led Zeppelin morph into the churn of Slint as we...
Emily A. Sprague may be best known as the primary songwriter and vocalist for the band Florist, who have released five albums since 2016. But she also composes and records ambient-adjacent electronic music, primarily using modular synthesizers, and is about to release her fourth...
Liz Pelly is the author of the book, Mood Machine: The Rise of Spotify and the Costs of the Perfect Playlist. It's a well written and well researched book, and a fun read even though the subject is pretty dark. Spotify, and music streaming in general, have changed not only how we...
If you know a thing or two about punk and hardcore from the last few decades, you’ll know the name Will Killingsworth. His band, Orchid, brought unbridled passion to the ‘90s screamo scene, while Bucket Full of Teeth explored more noisy experimental fringes. From his Dead Air Studios in...
On Temperance, a musical Reverb
Formed in 1971, Eventide soon became one of the first companies to build digital delays and other future-shaping audio processers. Their H910 Harmonizer may have changed the sound of records forever. Their SP 2016 was the world’s first digital audio...
As an engineer who mostly works on rock and experimental music, classical recording fascinates me. Seemingly accurate recordings of acoustic instruments feels like one of the more measurable skills in our field, with at least some safe detachment from recording trends. Jennifer Nulsen...
I have a lot of favorite rock bands, but one that always puts a smile on my face was the original lineup(s) of The Saints. This Australian band released the first non-US punk single, “(I’m) Stranded,” in September 1976, even preceding some well-known London combos. The core of the...
