Guerilla Recording Tricks

Interviews

My Bloody Valentine

Interviews

Malcolm Toft

Interviews

Twilight Circus

Interviews

MORE FROM THIS ISSUE

JULY 17, 2025 INTERVIEWS
The “Brown Sugar” Sessions: Jimmy Johnson on Recording the Rolling Stones

The “Brown Sugar” Sessions: Jimmy Johnson on Recording the Rolling Stones

If you've seen the Rolling Stones' movie, Gimme Shelter, you might recall Jimmy Johnson's brief speaking role. He was the one coaching Keith Richards on the proper Alabama pronunciation of "Y'all come back, y'hear." For three nights in December of 1969, the Stones cut basic tracks and live vocals for three songs: "You Gotta Move", "Wild Horses" and "Brown Sugar". The sessions took place at Muscle Shoals Sound Studios — the "burlap palace" at 3614 Jackson Highway — which the four rhythm section members (Johnson, bassist David Hood, keyboardist Barry Beckett and drummer Roger Hawkins) had purchased earlier that same year. Prior to venturing out on their own, the foursome had been the core players at Rick Hall's Fame Studios, where their rhythm tracks had powered soul hits by Aretha Franklin, Wilson Pickett, Etta James, Arthur Conley and others. Since early in his Fame days, Jimmy Johnson had switched roles back and forth, playing fatback rhythm guitar on some sessions and engineering others. His early engineering credits included "Sweet Soul Music" and "When a Man Loves a Woman". But when the Rolling Stones arrived — with little advance notice — Johnson was confronted with something quite other than the relatively low-volume, laid-back soul and pop sessions that were his usual fare. On one hand, you could say the fledgling Muscle Shoals studio was ill-equipped for the task. On the other hand, you might say this was a good thing. Let recording history be the judge. In the following interview, Johnson reconstructs (as best can be expected after 32 years) the night that gave us a rock song for the ages.

JULY 17, 2025 INTERVIEWS
Phill Brown: Steve Winwood 31st October 1976

Phill Brown: Steve Winwood 31st October 1976

We interviewed Phill Brown in issue number [#12] of Tape Op. Over the years he's worked with some of the greatest artists ever, like Jimi Hendrix, Joe Cocker, Traffic, Spooky Tooth, Jeff Beck, Led Zeppelin, Robert Palmer, Bob Marley, Steve Winwood, Harry Nilsson, Roxy Music, Stomu Yamash'ta, John Martyn, Little Feat, Atomic Rooster, and Talk Talk. This is another excerpt from his (still!) unpublished book, Are We Still Rolling? Last issue: Phill goes home exhausted. –LC

JULY 17, 2025 INTERVIEWS
Rupert Neve

Rupert Neve: Pro Audio Guru

There is a humble man who lives in the small town of Wimberley, Texas. His name is on recording consoles all over the world, and so many important works of music have run through his signal chains that we don't even need to mention them. He is still designing recording gear, such as the fabulous "Channel in a Box" by Amek. The things he builds sound musical, which is what this is all about, isn't it? (Also present at this interview were Rupert's assistants, Mark Phillips and Kevin Burgin.)

COLUMNS

END RANT

GEAR REVIEWS

Gear Reviews

560 graphic EQ

by 560 graphic EQ  |  reviewed by Mike McDonald

You have all heard the "professionals" rave about them but even as a "project-studio" recordist I'm way down with the API. I mean, what other company do you know that has built shit almost exactly the same way for over 30 years, maintained the high-quality and excellent reputation that put them on...

Gear Reviews

B4 Tonewheel Sets software add-ons

by B4 Tonewheel Sets software add-ons  |  reviewed by Rich Hardesty

As a very regular (and happy) user of Native Instruments simulated Hammond organ, the B4, it was nice to see them release a set of add-on sounds for this indispensable "virtual instrument". The new sets include some definitely non-Hammond sounds like the Vox Continental, a Farfisa and a nice...

Gear Reviews

Demonstration CD

by Demonstration CD  |  reviewed by Larry Crane

Ostensibly this is a promotional device (only $3.50, for shipping) for Royer ribbon mics, a product that we highly recommend here at Tape Op, but there's something that makes this CD a cut above. Sure, you may want to skip over an excerpt of "There She Goes" by Sixpence None the Richer or Jewel...

Gear Reviews

HEDD 192

by HEDD 192  |  reviewed by Larry DeVivo

One of the more interesting signal processors to come along has to be the HEDD 192 from Crane Song. HEDD stands for Harmonically Enhanced Digital Device and is quite unlike any other processor on the market that I know of. As its name implies, the HEDD 192 allows you to bring out the inner harmonic...

Gear Reviews

ID-One condenser microphone

by ID-One condenser microphone  |  reviewed by Ezra Meredeth, Larry Crane

Okay, you might have thought large-diaphragm condenser mics were getting cheap - but now PPA blows everything out of the water with the $99.95 ID-One. Of course it's another one of those inexpensive Chinese- made, fixed cardioid-pattern mics, in fact the insides looked a lot like the...

Gear Reviews

KSM27 condenser microphone

by KSM27 condenser microphone  |  reviewed by Ezra Meredeth, Larry Crane

Shure adds to its line of silver, curvy KSM- series mics with the affordable KSM27 (available as low as $299). It's a cardioid-patterned condenser with low end roll off and 15 dB pad switches built in. There's a warm spot in the low mids that complements a lot of sources - on voice over it sounds...

Gear Reviews

LA-2A Leveling Amplifier

by LA-2A Leveling Amplifier  |  reviewed by Larry Crane

As you probably know by now, especially after issue 24's feature interview, the Putnam brothers reactivated their dad's company and started building some of his old products again. And they are wonderful products, like the 1176 compressor, the 610 mic pre, and also this LA-2A - one of the...

Gear Reviews

LeVeLAr Compressor/Limiter

by LeVeLAr Compressor/Limiter  |  reviewed by Jonathan Sterne

LeVeLAr is a single channel tube compressor/limiter designed for home recordists and small project studios. Some tube purists find ART devices to be gimmicky, but home recordists like myself find them to be immensely useful. The LeVeLAr is exceptionally simple in its user interface. You get 1/4"...

Gear Reviews

M-80 8 Channel Mic Pre

by M-80 8 Channel Mic Pre  |  reviewed by John Baccigaluppi

This is eight Class A FET mic pres with custom input transformers in a double space rack. The power supply is pretty heavy duty and is external to the unit with a multi- pin cable connector. Each pre has switches for phase reversal, +48 v phantom power, -20 dB pad, and an 80 Hz high pass. The specs...

Gear Reviews

MDR-NC5 noise canceling headphones

by MDR-NC5 noise canceling headphones  |  reviewed by Hilary Johnson

I bought a pair of MDR-NC5s for a recent airplane ride and they are the coolest thing in the world! You can use them with or without a Walkman or CD Walkman or whatever. They've got a built-in mic which phase- reverses the ambience to your ears, plus a filter which rolls off 300 Hz and below (gets...

Gear Reviews

Model ASC EQ

by Model ASC EQ  |  reviewed by Eric Tischler

The Speck is a four-band, one-channel EQ. The low end operates between 20 and 150 Hz with a peak/shelf switch. The low-mid is switchable, with a sweep of either 40 to 800 Hz or 400 Hz to 8 kHz, and the variable bandwidth adjustment works on both settings. The totally parametric midrange works from...

Gear Reviews

Oxford R3-EQ TDM plug-in for Pro Tools

by Oxford R3-EQ TDM plug-in for Pro Tools  |  reviewed by Julian Standen

Having tried all the available Pro Tools TDM EQ plug- ins out there I was looking forward to Digidesign's new hardware and software updates to get me the step up in sound quality I was craving but these aren't planned until mid 2002. The wait was killing me! I track with vintage and classic...

Gear Reviews

QuietComfort Acoustic Noise Canceling Headset

by QuietComfort Acoustic Noise Canceling Headset  |  reviewed by Andy Hong

With all the traveling I do, I feel that airline flying without ear protection is akin to walking into a rock show without a set of earplugs. Obviously, I value my ears, so I'll do whatever is necessary to keep my hearing as healthy and acute as possible. If I fly without ear protection, I'll...

Gear Reviews

Reaktor 3.0 software

by Reaktor 3.0 software  |  reviewed by Donald Bell, Chachi Jones

A year ago Reaktor 2.3 came into my life a like a software messiah (read my review in issue #21). The program has so many mind-blowing features and functions that despite how long I've owned version 2.3 I'm still finding new and remarkable ways to use it. Reaktor is a native synthesis audio program...

Gear Reviews

SCX-25 condenser microphone

by SCX-25 condenser microphone  |  reviewed by Ezra Meredeth, Larry Crane

With its distinct lollipop look and precision machining, the SCX-25 draws attention to itself immediately. This cardioid-patterned mic is cool looking and streamlined, with no roll off or pad switches to be found. The SCX-25 is a large diaphragm condenser with a pronounced high midrange bump around...

Gear Reviews

Waveburner Pro Audio CD Mastering Software

by Waveburner Pro Audio CD Mastering Software  |  reviewed by John Baccigaluppi

This is a beautifully useful and utilitarian piece of Macintosh software. It only does one thing, but it does it really well: assemble, sequence and tweak two track mixes into Red Book compliant CDR masters. If you've been using Toast or Jam to burn CDs, you'll want to throw them away after you use...