As a radio station primarily interested in close-mic'ed, live-in-the-studio recording (and also a radio station on a budget), WMBR relies heavily on inexpensive, durable dynamic microphones. While the...
Prepare to be impressed with a single word-transimpedance. What the hell does that mean? I think it's best explained by Michael Grace; refer to "Behind the Gear" in Tape Op #61 (also available on...
In my personal studio, I rely heavily on outboard preamps: Brent Averill-racked vintage Neve 1272; BA-racked vintage API 312 (in 500-series form), two with original AP2622 input transformers and six...
EastWest has really made a name for itself in producing great sounds. Its Symphonic Orchestra libraries have set a high standard and are considered a must-have by an enormous number of composers...
Before considering any gear, I like to poke around the web for reviews, articles, and forum activity. I found very little talk of the m902's performance for pro audio applications. Most of the...
When Sony Oxford released the OXF-R3 in the 1990s, it was one of the most ambitious digital consoles ever. It featured programs so advanced that the company had to fabricate custom DSP chips to run...
I had a Manley Massive Passive. But the tracking guys "borrowed it" for a session. That was over a year ago. I don't think I am getting it back. So, I was excited when I heard Manley released the Mini...
If a microphone helps me learn about how other mics in my collection sound, then it is worth spending time with it for this reasons alone. The KEL Audio HM-2d not only accomplishes this feat, but does...
The SE2200A large-diaphragm condenser (Tape Op #48) is one of my favorite mics. At $300 street, it's easily one of the best deals in pro audio. Up until recently, I also had in my cabinet a matched...
Algorithmix, in conjunction with Bob Katz, has released a software incarnation of Digital Domain K-Stereo, a patented process that can extract ambience and depth from existing recordings, allowing for...
When I first heard about the U.420 compact mixers from Mackie, I immediately realized where they would be effective. I asked Mackie to send the U.420d version to my colleague Brandon Miller, who is a...
This could be the shortest review I've ever done. The Komit Treehouse is simple to use, sounds great, and is sensibly priced. If you must have the gory details, read on. The Komit stirred up a local...
The Arsenal line is the new range of gear from API that is more affordably-priced than the legacy API gear. I am always interested in new EQs, so I asked the folks at API to send me a pair of the V14s...
