Texture still seems to me to be the hill on which the battle between us analog Luddites and the digital future is raging. Though digital emulations are now, broadly, pretty good and getting better,...
Simply put, the OVER-KILLER is Prism Sound’s soft clip limiter circuit from their vaunted line of converters, made into a passive, standalone device. It is housed in a Switchcraft XLR barrel,...
In case you’ve missed it, Redco is making two inexpensive tools that will turn some blank space in your DB-25 patchbay into something you can actually use. First: a 4x2 mult in a DB-25 backshell...
This is such an interesting time to be making records. Not only has the business changed entirely under our feet, but the broader iterations in technology we’ve witnessed in the last 20 years...
There is maybe no easier font for satire in audio criticism than the floral superlatives assigned to hi-fi speakers and playback equipment. Reviewers write haikus in brown pencil, dithering about the...
I first met Bryce Gonzales about five years ago through our mutual friend and pillar of the Los Angeles music community, Jonathan Larroquette. Jonathan is a longtime manager, fixer, and fixture at...
In my mind, one of the greatest shortcomings of the hybrid/in the box era in which we find ourselves is the loss of a coherent, thoughtful approach to the monitor section of a studio. The center...
